

Lyric
mustard
Artical, made all
080 ゼロ4個 ある 丸穴 教えてマスタード
080 ゼロ4個 ある 丸穴 教えてマスタード
絵を描き 手もある 足2本
あと顔1個 ah お花は何万本
080 ゼロ4個 ある 丸穴 教えてマスタード
キラキラ光るネオン陽光 から遠い星 私今どこ
ガスコンロ 1番 強い光 溶き卵 溶き卵
ごちそうさまでした 離れる地元
送られる 僕 マスタード
080 ゼロ4個 ある 丸穴 教えてくれマスタード
マクドナルド 遊びにいこ ナゲット BBQ
またあるゼロ4個 土と 言葉と 現象
楽しんで 君のとこ
808 ベース 音 カチコチキック nice 音
ベロベロ 朝まで行くアルコール
ベロベロ 朝まで行くアルコール
080 ゼロ4個 ある 丸穴 教えてマスタード
080 ゼロ4個 ある 丸穴 教えてマスタード
絵を描き 手もある 足2本
あと顔1個 ah お花は何万本
080 ゼロ4個 ある 丸穴 教えてマスタード
苦手なからし あなたとわたし
苦手なからし あなたとわたし
苦手なからし あなたとわたし
苦手なからし あなたはわたし
080 ゼロ4個 ある 丸穴 教えてマスタード
080 ゼロ4個 ある 丸穴 教えてマスタード
絵を描き 手もある 足2本
あと顔1個 ah お花は何万本
080 ゼロ4個 ある 丸穴 教えてマスタード
- Lyricist
Artical
- Composer
made all
- Graphic Design
Artical
- Vocals
Artical
- Rap
Artical

Listen to mustard by Artical, made all
Streaming / Download
remind of common sense
Artical, made all
- 1
ride on the seatbelt
Artical
- 2
re:collection
Artical, made all
- 3
hinat4
Artical, made all
- 4
tengoku escalator (feat. hutarikyouwakoku)
Artical
- 5
eat anymore
Artical
- 6
flower and tree
Artical
- ⚫︎
mustard
Artical, made all
This work is both a musical project and an archive of observation.
It examines the sensory perceptions and systems of values that people unconsciously share-frameworks often described as "common sense."Through rap, poetry, improvisational speech, and an approach informed by field recording, these frameworks are revisited and reexamined.
The focus of the creative process was not expression itself, but perception; not speaking, but noticing.
The tracks collected here are not intended as a complete narrative. Rather, they function as fragments that continue to evolve within the listener.
remind of common sense is not an attempt to return to a lost sense of normality. Instead, it is a project dedicated to rediscovering the sensations and intuitions embedded within each body.
Artist Profile
Artical
Artist Statement Yutaka Ueno My original experience as a stutterer has led me to create art using painting, rap music, programming, and video, all of which are based on the relationship between words, sounds, and the body. Words are not a means of communication, but rather a phenomenon that emerges as it stays and stumbles within me. My works are an attempt to preserve the moment when such words and sounds emerge, the movement of the body, and the events that occur when the materials themselves, such as the traces of hands and the texture of the soil, rise to the surface. In my work, I focus on fundamental themes such as soil, words, things, and phenomena, and emphasize improvisational expression. The flow of rap music, the strokes in paintings, and the movement in videos are all not symbols that carry meaning, but rather the appearance itself. There is no clear message or intention behind them. I simply record the things that appear through my own body and thoughts as phenomena, without processing them. That is the attitude with which I approach my work. The form of expression is fluid and never stays in one genre. Just as words transform into images, sounds, and movements, I aim for my work to be a phenomenon in which expression itself is constantly transforming. This is also a journey in which my crippled language,which began with my stuttering, is freely changing form as an expression. I am a member of the Crippled Language group. History of Activities (excerpts) - 2023 Exhibition of paintings at a coffee shop in Nagasaki, my hometown - January 2025: Improvisation performance using rap music and programming video at the new building of Nagaoka Institute of Design, Nagaoka, Japan Translated with DeepL.com (free version)
made all