Natsu no Fuubutsushi " The Sights of Summer " (sing a full ver. while playing an guitar) Front Cover

Lyric

Natsu no Fuubutsushi " The Sights of Summer " (sing a full ver. while playing an guitar)

Yukinori Mimura

夏の風物詩 恋人がいれば

海辺で はしゃぐ 夜空に花火

夏は終わるけど 恋は実らない

他の人を 好きになれない 夏も 秋も

照り返す日差しと 入道雲が わき上がるから

夕立が来たね ひとしきり降れば アスファルトの匂い

二人は恋人じゃない 無機質な漂いの中

あるはずのない幸せな日々 この胸が熱ければ恋と呼ぶでしょう

夏の風物詩 恋人がいれば

海辺で はしゃぐ 夜空に花火

夏は終わるけど 恋は実らない

他の人を 好きになれない 夏も 秋も

白い雲は高く 夕暮れ涼しく 秋の気配

草木が揺れてる 夏の夜にも 鈴の音は鳴いてる

二人も揺れていたね 涙を見せずに泣こう

記憶全てを消してみれば きっとそれが自由なんです

夏の風物詩 恋人がいれば

海辺で はしゃぐ 夜空に花火

夏は終わるけど 恋は実らない

他の人を 好きになれない 夏も 秋も

  • Lyricist

    Yukinori Mimura

  • Composer

    Yukinori Mimura

  • Mixing Engineer

    Shinzo Owa

  • Mastering Engineer

    Shinzo Owa

  • Guitar

    Yukinori Mimura

Natsu no Fuubutsushi " The Sights of Summer " (sing a full ver. while playing an guitar) Front Cover

Listen to Natsu no Fuubutsushi " The Sights of Summer " (sing a full ver. while playing an guitar) by Yukinori Mimura

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  • ⚫︎

    Natsu no Fuubutsushi " The Sights of Summer " (sing a full ver. while playing an guitar)

    Yukinori Mimura

A nostalgic folk song by a Japanese male singer-songwriter that brings back the bittersweet memories of a passing summer.

"Natsu no Fuubutsushi (The Sights of Summer)" is my original track heavily inspired by the golden era of 1970s and 80s Japanese folk.

I beautifully capture the melancholic atmosphere of an unrequited summer love, painting it with vivid imagery such as the scent of asphalt after an evening shower and the cool breeze signaling the onset of autumn.

I perform this song in an authentic acoustic style of just my single voice and one acoustic guitar.
For this recording, I play my legendary, ultra-rare "MARTIN D-45" made with genuine Brazilian Rosewood (Jacaranda).
My triplets arpeggio, played on this masterpiece guitar with its rich, bell-like sustain, resonates deeply like ocean waves.

This is my mature love song for those who appreciate authentic acoustic sounds and the timeless essence of vintage Japanese music.

Artist Profile

  • Yukinori Mimura

    [Yukinori Mimura] Singer-Songwriter / Acoustic Guitarist & Vocalist Born and based in Osaka, Japan. I am a professional independent artist whose work has been officially featured twice on the prestigious independent music media "THE MAGAZINE" across both singles and albums. Between 2012 and 2014, under the moniker KOHTENG (derived from the Chinese reading of my real name), I released 29 original tracks and performed live via Nico Nico Douga, capturing a dedicated following. Rooted in foundational training in Hammond organ from early childhood and acoustic guitar, I completely self-manage all songwriting, composition, and performance. I stand as a completely self-funded, independent artist who refuses to rely on corporate advertising financial power. My music stands in stark contrast to modern Japanese pop, which is often consumed through short, superficial video effects. Instead, I craft authentic art meant to be savored by the ears and heart over a full four-minute timeline - true to the literal meaning of music: "to enjoy sound." The core of my majestic sound is driven by the world's finest acoustic guitar, the vintage "MARTIN D-45" featuring rare Brazilian Rosewood (worth thousands of dollars). The overwhelming atmosphere and exquisite acoustic design produced by this supreme, top-tier model are concentrated into every single track. My refined performance style has been highly acclaimed by Toshiaki Usui, the legendary guitarist and arranger who crafted historic hits for Japanese folk icons Tsuyoshi Nagabuchi, Chiharu Matsuyama, and Yutaka Ozaki. Usui directly praised my artistry, stating, "Your guitar-and-vocal style is already a complete masterpiece," which led to a collaborative CD production. Transcending language barriers, my raw performances continue to receive passionate praise and direct, glowing comments such as "Your music is so good!" from international musicians on social media. Currently, my Spotify Radio playlist consists almost entirely of Japan's topmost legendary artists, such as Masaharu Fukuyama and Spitz, with my track standing proudly and equally alongside them. This serves as official proof that the streaming store, Spotify, has judged my acoustic sound quality and frequency to be on par with these historic masters. I am currently running a massive project to continuously release top-tier, compromise-free acoustic singles every month on a strict 28-day cycle. Please take a moment to listen and experience my premium original tracks.

    Artist page


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