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This song confronts the rigid stereotypes surrounding the so-called "Minato-Girl" - a label often associated with wealth, nightlife, and transactional relationships - and dismantles them from the inside.
Set in a world where a woman's value is measured by champagne bottles, men's income, and social status, the narrator refuses to conform. While others assume that intimacy is a currency and virginity is something to be mocked or discarded, she chooses not to sell her body or her heart for approval or advantage.
Here, "virgin" is not portrayed as innocence or naivety.
It becomes a symbol of self-determination - proof that she did not trade herself away under pressure, ridicule, or expectation.
The repeated declaration "I am a virgin" is not provocation.
It is a statement of agency.
This song asks uncomfortable questions:
Who decides what freedom looks like?
How many choices must be made before a woman is considered "liberated"?
And why is saying "no" treated as weakness?
Ultimately, A Virgin Even Though I'm a Minato-Girl is a quiet but defiant manifesto -
a refusal to let society define worth, desire, or identity.
Not opening herself was never a loss.
It was a choice.