Damage Tape No.2 Front Cover

Lyric

Never mind

Damage Yakkun

気にしない

気にしない

俺らしい

ありのまま好き

ダサくていい

底辺カッコいい

欲張りダサい

ありのまま好き

気にしない

気にしない

好きにすりゃいい

泣いたって幸せ過ぎ

気にしない

気にしない

笑われても俺は別に

陰で言うんだろ?

愚痴言うアンチ達よ

言うだけだせえよ

相手にもならねえ

俺とお前の違い

文句並べて結局弱い

仲間と言っても

離れてく弱者

障がいという理由で差別

リンチされた俺だって

このままじゃねえ

何がエリートの世界?

それで楽しいかい?

まあ 言ってな

涙拭いて渡る新世界

ダサくていい

底辺カッコいい

欲張りダサい

ありのまま好き

気にしない

気にしない

好きにすりゃいい

泣いたって幸せ過ぎ

気にしない

気にしない

笑われても俺は別に

ギリギリで生きてるの

いつ差別受けるか

ピリピリしてるの

イライラしてるよ

攻撃行き過ぎてるよ

何がREAL?

何が光る?

成績ぐらいで威張る

お前らに正直

呆れてリリック書く

100年遅れを取り返す

(馬鹿にするなら論文書きな)

ダサくていい

底辺カッコいい

欲張りダサい

ありのまま好き

気にしない

気にしない

好きにすりゃいい

泣いたって幸せ過ぎ

気にしない

気にしない

笑われても俺は別に

(気にしない)

(気にしない)

(気にしない)

(気にしない)

  • Lyricist

    Damage Yakkun

  • Composer

    ONE COIN MIX

  • Producer

    ONE COIN MIX

  • Recording Engineer

    ONE COIN MIX

  • Mixing Engineer

    ONE COIN MIX

  • Mastering Engineer

    ONE COIN MIX

  • Assistant Engineer

    ONE COIN MIX

  • Vocals

    Damage Yakkun

  • Rap

    Damage Yakkun

Damage Tape No.2 Front Cover

Listen to Never mind by Damage Yakkun

Streaming / Download

  • 1

    Kakera

    Damage Yakkun

  • ⚫︎

    Never mind

    Damage Yakkun

    E
  • 3

    Dame

    Damage Yakkun

  • 4

    Communication Panic

    Damage Yakkun

  • 5

    We Need to Hurry

    Damage Yakkun

  • 6

    Congenital Wrap Syndrome

    Damage Yakkun

"I can't give up now." "It's not just my disability. I want everyone to know the current level of my rap." This is the second mixtape that was born from such desire. Starting with the chill boom bap of "Kakera," he talks about his worries about his disability, then the heavy trap song "Kinai ni Nai," which shows the strength of his disability. Then, with the message of his feelings that he sometimes admits "I'm actually weak," he concludes with "If you're going to make fun of me, write a thesis." After that, the submission song "Dame," which is his first Ambient Beat, mainly talks about elementary school, junior high school, and the past, and ultimately conveys a song that turns things into something positive, but on the other hand, "Communication Panic," also on Ambient Beat, he brings to the fore the pain of conversation. However, he doesn't feel that a mixtape is interesting just because of his disability, and in "We Need to Hurry," in which he expressed his desire to "get on the official playlist," he expresses his "anxiety about still being underground and struggling to sell after three years of career," aside from his disability.
But, I'm crazy.
In "Congenital Rap Syndrome," which I can say is the album that brought out the reason why I wanted to release a mixtape, he said, "I really love rap, and seeing the success of rappers like YZERR, LEX, and Kohjiya, I became positive about Japanese rap and was infected in a good way."
But, as he receives advice from beatmaker :Plue, he says, "there are still challenges to overcome."
That's why I'm blessed.
For example, if it were to suddenly go well and be over in one shot, rap wouldn't be fun.
But every time I become a fan of YZERR and Kohjiya and listen to AppleMusic, I think about this.
"Both of them have a great sense of pressure."

"YZEER's punch lines are especially awesome and cool."

As far as rapping goes, I'm still at the level I was at when I released my last album, so I'd say I'm a "Bottom Rapper."

But I have no intention of giving up.

I worked hard underground for three years to become successful.

And little by little, I gained more friends and fans.

Even when things got tough because of my disability, overseas and Japanese rap supported me.

I still have a lot to improve with my mixtape, but I'm not done.

"Actually, this was just the beginning"...

Artist Profile

Damage Working B

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