

Okay
Let’s talk
I’m not bored—so listen
I don’t waste my time
I don’t waste my time on my silly foes
I could drop checks on ’em for my hatin’ hoes
If I ever go, y’all bless my name for show
I don’t waste my time on my silly foes
I got a ring
My bae gave a glow
探してるMotherlode
おぶらないShame
踊るFlow
1,2 GOAT, like DiMaggio
唱えるラリホー
目覚めたら食べなよトースト
Your face まるで冷めてるフォー
Instagram キメるstrike a pose
Crush you like an egg
Oh,oh
押し込んで詰める弁当
レゼにはなれないJane Doe
A1 喰らわしK.O
Fake 釣るAd
ノン メルシー
I don’t give a shit
沸くエナジー ドーパミン
合わせるグリッド
スルーするweed
追えないスピード
I don’t waste my time on my silly foes
I could drop checks on ’em for my hatin’ hoes
If I ever go, y’all bless my name for show
I don’t waste my time on my silly foes
Treasure背中に背負ってる
あの世にでも持ってける
最前列座るショータイム
自滅するゾンビの運動会
履き潰したHoka
破れて縫ったレザー
簡単に捨てない性
ブランドよりボロいのがいいや
“Judge not, before you judge yourself ”
「他人を裁く前に、自分を裁け」
戦えず他を叩く
コンプレックスからくる屁理屈それナンセンス
脳金の品のないRolex
した方がいいよDD
ぺらぺらのMike Teavee
みたいになる前に Hurry
Go learn from Bob Marley
I don’t waste my time on my silly foe
I could drop checks on ’em for my hatin’ hoes
If I ever go, y’all bless my name for show
I don’t waste my time on my silly foes
- Lyricist
GC
- Composer
GC, EW, capcort, 3BASS
- Producer
EW
- Co-Producer
GC
- Mixing Engineer
3BASS
- Rap
GC

Listen to IDWMT by GC
Streaming / Download
- ⚫︎
IDWMT
GC
"IDWMT" is a tightly constructed track that condenses a stripped-down message and raw energy into just two and a half minutes. True to its title, the stance of "wasting nothing" is embedded directly into the song's structure itself, making it a modern self-branding trap record centered on the idea that "time equals value."
Here, "waste" doesn't simply refer to actions or choices. It speaks to the decision not to invest time in people who don't resonate, or in relationships that hinder growth. That mindset seeps through every corner of the lyrics. IDWMT isn't about rejecting others-it's a declaration of choosing to protect one's own value.
The beat evokes a minimalist trap aesthetic. With a space-driven mix that strips away unnecessary ornamentation, the kick and 808 lay down a solid low-end foundation. Over it, GC's flow runs tight and controlled, reinforcing a sense of unity with the instrumental. Because the arrangement leaves room to breathe, the weight of the words and the conviction behind them step fully to the forefront.
