Underclass

This track is a gut-wrenching deep blues-rock anthem that explores the "relay of misfortune" passed down through generations and the social mire that pulls you deeper the more you struggle to escape.

The core of the narrative lies not just in economic deprivation, but in invisible chains like "learned helplessness" and the "cultural capital divide." Through the stark contrast between the elite looking down from behind glass and the narrator finding solace in Enka and Gyudon, the song uses growling vocals to unleash the fury of those denied even a starting line in life.

The reference to J.D. Vance's "Hillbilly Elegy" highlights that this despair is not just a local issue, but a universal, structural tragedy. A fierce slide guitar duel and a wailing harmonica represent the screaming "mental brakes" of someone who wants to break free but doesn't know how. The ending, where the vocals whisper, "at least dreaming is free," leaves a lingering, painful spark of humanity amidst the void, clutching at the heart of every listener.