阪急の音 夜に溶けて
ネオンが揺れる 中津の街
高架くぐれば 湿った夜風
ネオンに滲む 言い訳ひとつ
コンビニの灯り やけに優しくて
帰る理由は まだいらない
細い路地裏 知らないドア
少しだけ開けて また閉じた
笑い声だけ 遠くで揺れて
僕はまだ ここにいる
終電なんて 気にしないで
この街に 溶けていく
Nakatsu breeze 連れてって
どこまでも 軽くなるまで
曖昧でいい Tonight
揺れてたい このまま
Nakatsu breeze もう少し
君のこと 忘れるまで
ネオンの中 消えていく
Midnight, just drift away
ビルの隙間 月が引っかかる
言えないことだけ 照らしてる
流れるライト タクシーの影
迷いごと 連れてってよ
淀川の風 少しぬるくて
本音だけ さらっていく
変わりたい夜も
変われない朝も
同じ速さで 過ぎていく
Nakatsu breeze 朝になる
でもまだ 帰りたくない
この街が 優しくて
少しだけ 許される
Nakatsu breeze 最後まで
この夜を 感じてたい
ネオン消えて 空が滲む
Midnight fades to blue
阪急の音 遠く響く
また誰かの 朝が来る
僕はまだ ここにいていい？
中津の風に 聞いてみる
- Lyricist
MASATOMO OKUMURA
- Composer
MASATOMO OKUMURA
- Producer
TOMO-DJ
- Vocals
MASATOMO OKUMURA
- Songwriter
MASATOMO OKUMURA
Listen to Excuses Bleed into Neon (feat. TOMO-DJ) by MASATOMO OKUMURA
Streaming / Download
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Excuses Bleed into Neon (feat. TOMO-DJ)
MASATOMO OKUMURA
A city pop track set in the night of Nakatsu Osaka capturing the sound of the Hankyu train the humid air and neon bleeding into the streets
It portrays a solitary moment drifting through the city without a reason to go home caught between a night that wants to change and a morning that cannot expressed through delicate sound
Artist Profile
MASATOMO OKUMURA
Born in Osaka in 1980 grew up surrounded by the chaotic culture of the city where music was always a part of everyday life At the age of 30 he began his journey as a vocalist in a band and as a grassroots DJ at local venues under the name TOMO DJ Bringing his own equipment he developed a unique style that prioritizes the mood of the moment and his own feelings over experience or technical skill His sets mainly feature popular J POP K POP and classic dance music and he describes himself as just a guy playing the songs he likes rather than a technically skilled DJ Yet his seemingly random selections often synchronize naturally with the atmosphere of the floor creating a strong sense of unity In recent years he has been inspired by AI technology and has started producing music using his own voice as material By incorporating processed and transformed vocals he explores a more experimental sound that contrasts with his relaxed DJ style Rather than trying to be perfect he values enjoyment moving freely between the dance floor and technology as he continues to play the sounds he loves somewhere today
MASATOMO OKUMURAの他のリリース
TOMO-DJ
Born in Osaka Japan in 1980 he grew up surrounded by diverse and chaotic urban culture with music always present in his daily life He began his DJ career at the age of 30 playing at small local venues and community events Bringing his own equipment he developed a style that values the atmosphere of the space and his own mood over technical skill or experience His sets focus on familiar and popular sounds such as JPOP KPOP and classic dance music He describes himself simply as a guy who just plays the songs he likes with little interest in complex techniques or flashy mixing Still his intuitive selections often match the energy of the crowd creating a natural sense of connection on the dance floor In recent years inspired by advances in AI technology he has started experimenting with music production using his own voice By processing and transforming his vocals he explores a more experimental side of sound contrasting with his relaxed DJ style Rather than aiming for perfection he prioritizes enjoyment Moving between the dance floor and technology he continues to play the sounds he loves wherever he goes
TOMO-DJ
