凍えそうな
白夜の月に
孤独の色で
くちづけした
熟れていく、身体も心も
絡んでいく、ここからは獣
遠吠えあげて
さぁ、はじめよう
闘いに敗れたときも
愛から逃げ出すときも
歌いながら踊り
踊りながら喰らう
靴音高らかに
姦しく燃え上がれ
耳元で木霊する
「あなたは、最高」
靄の中で
臆病手放し
溶け落ちる過去
薔薇は咲いた
わかってる、腐っても壊れても
育てていく、そろそろ幕開け
新たな季節、今はじめよう
闘うための武器は
愛を紡ぐときのリズム
歌いながら踊り
踊りながら喰らう
剥き出しの その肌
宿命を嘲笑え
いつまでも
木霊する
「あなたは、最高」
ただ今夜は
ルージュも落として
そばにいようよ
ワインがあればいい
哀しい月に照らされた
瞳、潤み、紅く、染まってく
棘さえも濡れてく、花弁も
正しいとか
間違ってるとか
もういいから
脱ぎ捨ててしまおう
歌っていたい最高の
今、痺れる愛だけは
止めないで
離さないで
踊れ
- Lyricist
The Actresses
- Composer
Kotona Nishi
- Recording Engineer
Ruihei Matsumura
- Mixing Engineer
Ruihei Matsumura
- Vocals
The Actresses
- Adapter
Shun Oba
Listen to KAGARI by The Actresses
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KAGARI
The Actresses
Emerging from Japans evolving creative landscape, The Actresses (Emma Miyazawa, Haruko Sekiya, Maho Minamoto, Marissa, and Marie) step into the light with their first recorded single, [KAGARI] a haunting and luminous testament to feminine strength and transformation.
Kagari, meaning beacon fire, burns as a symbol of defiance and renewal. Through this song, The Actresses ignite a flame against the shadows of convention, confronting the patriarchal narratives that have long framed womens voices on stage and screen. Their harmonies shimmer between tenderness and rebellion, merging the worlds of acting and music into a single, visceral performance.
Every note of KAGARI carries the heat of self-expression - - the breath of women reclaiming their roles, their stories, their art. It is not merely a debut; it is a declaration. The Actresses are here not to play their parts, but to rewrite the script.
Spotify • New Music Everyday - tuneTracks (curated by TuneCore Japan) • 9 Nov 2025Artist Profile
The Actresses
The Actresses is a groundbreaking collective of women (Emma Miyazawa, Haruko Sekiya, Maho Minamoto, Marissa and Marie) who are redefining what it means to perform, to create, and to be seen. Through the power of acting and song, they challenge the traditional, patriarchal lens that has long shaped the image of women in entertainment. Formed in Tokyo in 2016, The Actresses emerged from conversations among five women working across Japanese theatre, TV, film, and music - conversations about the constraints placed upon female performers, the unspoken expectations of beauty, obedience, and silence, and the urgency to create space for self-authored narratives. Their performances are not just acts of art - they are acts of resistance. With every role they embody and every lyric they sing, The Actresses seize the stage as a space for truth, complexity, power, play, and diversity. Together, they form a constellation of voices that speak and sing - not in unison, but in harmony, where difference is strength.
