NEXT STAGE Front Cover

Lyric

One.Two.Three (feat. BG8 LOCC) [Album Ver.]

GENKIZ, Sha100, SPLASH100

Kosuze -Intro-

【100DEW】

奇跡起こすぜ汽笛を鳴らせ

日本超えて台湾越えて

地球越えて宇宙遊泳 Ah Yeah

Ah Yeah Yahhhh

【Sha100】

One, two, three — we made it

Real trappin’, Tokyo City shit, rollin’

Sippin Hennesy

チェイサー飲む瓶ビール

渋谷でEating火鍋(フォグオ)サイドにはTe (テイ)

One, two, three — we made it

Real trappin’, Tokyo City shit, rollin’

Sippin Hennesy

チェイサー飲む瓶ビール

渋谷でEating火鍋(フォグオ)サイドにはTe (テイ)

【BG8LOCC】

十足專業(yeah)表演不Sound

Check (Yeah)

一生全奉獻 誰還管我商不商業

(Yeah)

在我到來之前 造裡是片荒原

(Huh)

包包裡只裝錢 像在把子彈裝填

(Pow)

沒有朋友在我身券只有Family

(Gang)

利誘達不到的只有痛苦才能

Change me (True)

在圏子裡 who envy me 是誰先

惹你

用盡方法 如何阻止自己陷進去

Yeah We gotta go up and yall have to know *2

活著的功課 不是只有痛

達到成功以外的事情我全部沒有

There's only one world so l want more

販售 我的創作 I feel like Pablo

仇人打成一團 我們隔岸觀火沒機會軟弱 我們量大 管夠

【Sha100】

One, two, three — we made it

Real trappin’, Tokyo City shit, rollin’

Sippin Hennesy

チェイサー飲む瓶ビール

渋谷でEating火鍋(フォグオ)サイドにはTe (テイ)

One, two, three — we made it

Real trappin’, Tokyo City shit, rollin’

Sippin Hennesy

チェイサー飲む瓶ビール

渋谷でEating火鍋(フォグオ)サイドにはTe (テイ)

【SPLASH100】

Let me show you how do it (Do it) 

We gon get it poppin’ brother like a movie 

気をつけなバックグランドからShootin 

狙ってる俺らMOBY “D” KEIZO 三銃士

やる事やってから開く口 だから無理

邪魔すらParty and bull shit

アカペラでも捌けるこのMusic 

Real Life貴重な24k 純金

上がる価値が わかる奴ら

集まってくる世界中ビッグハスラー

作るカルチャー超え 撒くタネ

育て家族と囲んでる晩餐

コソコソ動く害虫には焚くバルサン

パクれないキャリアが最大のバリア

まだまだやりたい事 止まれないな

続けてくぜ俺たちのParty it up (Party it up)

【Sha100】

One, two, three — we made it

Real trappin’, Tokyo City shit, rollin’

Sippin Hennesy

チェイサー飲む瓶ビール

渋谷でEating火鍋(フォグオ)サイドにはTe (テイ)

One, two, three — we made it

Real trappin’, Tokyo City shit, rollin’

Sippin Hennesy

チェイサー飲む瓶ビール

渋谷でEating火鍋(フォグオ)サイドにはTe (テイ)

  • Lyricist

    Sha100, SPLASH100, BG8LOCC

  • Composer

    Fukk2Beatz

  • Producer

    Fukk2Beatz

  • Co-Producer

    KLOOZ, 100VIEW

  • Recording Engineer

    Sha100, KLOOZ

  • Mastering Engineer

    Sha100

  • Rap

    SPLASH100, BG8 LOCC, Sha100

  • Adapter

    100GOOD FIELD

NEXT STAGE Front Cover

Listen to One.Two.Three (feat. BG8 LOCC) [Album Ver.] by GENKIZ, Sha100, SPLASH100

Streaming / Download

NEXT STAGE

GENKIZ, Sha100, SPLASH100

  • ⚫︎

    One.Two.Three (feat. BG8 LOCC) [Album Ver.]

    GENKIZ, Sha100, SPLASH100

    E
  • 2

    LEVEL UP (feat. SPLASH100, 100DEW, Sha100 & Se-Rah)

    GENKIZ

  • 3

    UP & STUCK (feat. SPLASH100, 100DEW & Sha100)

    GENKIZ

  • 4

    DEEP 1MPACTDEEP 1MPACT (feat. SPLASH100, 100DEW & Sha100)

    GENKIZ

  • 5

    Nen-Nen-Korori (feat. 100SDH1, 100DEW & SPLASH100)

    GENKIZ

  • 6

    KIDS (feat. REN KUJIRAI, SPLASH100, Sha100 & 100DEW)

    GENKIZ

  • 7

    One.Two.Three.Four (feat. 100DEW & Sha100)

    GENKIZ

  • 8

    Nen-Nen-Korori (feat. TOMY, FUKK, KOOPA & maigo) [Remix]

    GENKIZ

  • 9

    GENKI (feat. SPLASH100, 100tai, 100KM©, Sha100 & 100YOUTH) [100%Ver.]

    GENKIZ, 100DEW

    E

"NEXT STAGE" is the story of LEVEL 3, which reconstructs GENKIZ's core themes of "shadow and light," "reality and art," and "Tokyo and the world" as the "progression of the game."

In this work, the most important thing is not the strength to defeat enemies, but the recovery needed to get back up after taking damage.

And positioned as that recovery mechanism is the family and the place to return to-GENKIZ's "save point."

The opening (LEVEL 3) is cut short by "One.Two.Three feat. BG8LOCC." The addition of Taiwanese BG8LOCC to Tokyo's Sha100 & SPLASH100 sets the "acceleration at the start of the stage." The connection between Tokyo and Asia is not merely decorative; it is the very progression of this work.

In the next section, "LEVEL UP," SPLASH100 / 100DEW / Sha100 are joined by the first female rapper, Se-Rah. Rising and falling, being worn down and recovering-this repetition is transformed into "steps to advance to the next level," updating GENKIZ's core.

Furthermore, Arevos-produced "UP & STUCK" and "DEEP 1MPACT" follow, imprinting the loneliness and stagnation that increase as one rises, as the "reality of conquest," through a low-centered sound and lyrics.

The key to the middle section is "Nennen Korori" and "Kids." Here, the work delves deeper than "winning and losing in the city."

"Kids," which lists family names, is not a song that boasts of street strength. It is a song that places GENKIZ's true essence-that one can move forward because there is something to protect-as a "recovery item." The presence of children fills the story's HP gauge with the warmth of reality, connecting the power to move forward not only to "continuation" but also to "inheritance."

The second half enters the -SECRET STAGE-.

In "One.Two.Three.Four," you open the door to a hidden room, and in an alternate version of "Nennen Korori," rappers representing Saitama (TOMY / FUKK / KOOPA / Maigo) join in, unleashing the "hidden passion" that can't be expressed on the surface. This isn't a bonus; it's a secret route that touches the core of GENKIZ.

And finally, the one and only game prepared is "GENKI."

In game terms, it's an "extra battle that begins after clearing the game." Carrying all the damage and recovery accumulated up to this point, you move forward once again.

GENKIZ's "energy" isn't just willpower. It's the sound of continuity and inheritance, where you save and recover even after taking damage, passing the baton to the next generation as you move forward.

"