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This work is an innovative piano piece that fuses Ludwig van Beethoven's overwhelming spiritual strength with the energy of modern alternative music.
The fiercely pounded keys, breathtakingly delicate melodies, and developments that defy convention push the listener's emotions to the absolute limit.
Silence and explosion, order and collapse-the sound where all these elements intertwine is like the "inner impulse" itself.
The overwhelming sense of immersion created by ultra-fast passages and dynamic contrasts overturns the conventional concept of the piano solo.
Transcending the boundaries of classical music and venturing into new territory, this piece is more than just music.
It is the sonic embodiment of a "syndrome" driven by an irresistible impulse.
To all listeners who wish to transcend limits.
"Beethoven Syndrome"-can you withstand its madness?
Artist Profile
Serena Valeria
A new generation of classical pianists blending classical piano tradition with next-generation musical thinking. From childhood, she engaged with the piano, studying widely from Baroque to Romantic and modern music, while constantly questioning: Why has classical music become so distant from modern life? The more she pursued technical and formal perfection, the more she felt music becoming like an exhibit a growing sense of dissonance. Amid this conflict, she began exploring a new form of classical music that transforms emotion, thought, and the very state of concentration into sound. Eventually, starting from human sensibility, she incorporated music generation technology and structural analysis into her creative process, arriving at a style that designs not just sounds to be played, but sounds that set thought in motion. Avoiding excessive emotional expression, it quietly enters the listener's inner world through layers of silence, repetition, and subtle shifts. It is neither background music nor traditional concert music. It is classical for concentration, meditation, creation, and introspection. Under the concept of NeuroTap, she continues to present the possibilities of a new classical piano born at the boundary between human and technology.
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