FLYING DRAGON (2024 Remasterd) Front Cover

Lyric

FLYING DRAGON (2024 Remasterd)

Tetsuya Matsushita

Sound of rain

モノクロ水墨画のよう

幽玄

霧立ち登る黒き山

He wears a sedge hat

森の中を駆ける

幽霊?

闇から鬼が見ている

Be a Dragon

空間が歪む震える

Be a Dragon

ざわめく鳥の群れ

Clouds are appearing out of nowhere

A dragon from red pond

天へ高く登る

谷を

覆う程長い身体で

He saw at the end of the road

六角堂が見えた

Temple ?

錫杖の音が響く

I’m Flying Dragon

空間が歪む震える

I’m Flying Dragon

ざわめく鳥の群れ

Clouds are appearing out of nowhere

Time changes its direction

Dragon is Breaking the sky

A ray of light shines through the clouds

Raindrops rise in slow motion

While shining in rainbow colors

The wind knocks down

Cedar and cypress

And the light shines through the gaps

Then new sprouts will come out from the ground

山犬の牙と天狗の翼

舟に水を満たし神を迎える

川映る稲妻 五臓六腑響く

苔むした岩に言霊を刻みて

諏訪湖へと続く天竜渓谷

雲は雨となり川へと流れて

大地を潤し海へと注いで

再び雲となり山へと向かう

Special thanks to Studio OMEGA and Harue MORI

  • Lyricist

    Tetsuya Matsushita

  • Composer

    Tetsuya Matsushita

FLYING DRAGON (2024 Remasterd) Front Cover

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    FLYING DRAGON (2024 Remasterd)

    Tetsuya Matsushita

Artist Profile

  • Tetsuya Matsushita

    When I was very small, I played drums in the garden at home using buckets or whatever I could find. The neighborhood ladies praised me for it. At the age of 13, I picked up parts from an old electronic organ and remade them into a DIY synthesizer. Next, I made my own electric drums and electric guitar. Using two open reel tape recorders from Sony, I began experimenting with multitrack recording. In 1985, I produced my first cassette album by myself. It included a drum machine, hand-played synthesizers, and even seventh chords. In many ways, what I was doing back then is not so different from now. After that, I made three more cassette albums and went into a long period of rest. Around 2000, I formed a band with friends and stayed active for about two years, then paused again. In 2013, I became active again, then paused. In 2017, I resumed activity once more, then paused again. In 2023, I started remastering my past works. In 2024, I began using AI. In 2025, I completed an album to mark my 40th anniversary. I may go quiet again after this. Looking back, maybe my songwriting was always like creating demo tapes. I felt that someday, someone else would take these songs, perform them properly, translate them, sing them, and finish them for real. It is as if my songs were preserved in a kind of frozen sleep. Thanks to AI and streaming technology, they have now been awakened and released into the world. I feel deeply moved. Even though I am just an amateur and there were many long gaps, I am truly glad I kept creating for forty years and was finally able to complete it.

    Artist page


    Tetsuya Matsushitaの他のリリース

日本

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