HANIKANDE SALADA

It's been two years since DAWN COLOR CROSSWALK TRILOGY, which has put a lot of pressure is on myself. As you know, Tochikagami are back. This time, I started quietly with 'introduction' and finished the first half of the song without reminding me of the fermentation that, as expected, made me think myself had opened a surströmming. Mainly in the second half, I moved right across from there, presenting a bit of the difficulty of making this a 'fruit roll', but using a feminine sensibility to give it an organic feel. It's a fluffy, technical piece that stimulates here and there, but is rather very relaxing all the same. And, the middle section, which is the hinge between part-A and part-B, does not have the tendency to be a latte made with plant-based milk. However, this will curiously stabilise the work as a whole to an extreme degree, and each piece will wield a more individualistic charm. Also included are pieces that are actually meant to be sung with words, even though they are all verbose in a certain way. I invite you to join me for a breakfast that builds on the continuity of DAWN COLOR CROSSWALK TRILOGY and looks ahead to the world beyond.