Unobserved Nightmare Front Cover

Lyric

Decadence (covered by suno v5)

early bird institute

競い合うことで 高みを目指して 生き残ることが

生き残れるのは 変わり続ける それが出来る者

生き残った者が 常に正しい それ以外は悪

良いとか悪いとか 無関係に 続く争い

後に残るのは 変わり果てた地球

抜け出すことは 誰にも出来ない

やめることすら 出来ない争い

無益な争い 誰も残らない

競い合わないと 腐っていくだけ 滅んでいく道

昨日と同じの 変わらない明日 淀んだ水のよう

壊れたままに 打ち捨てられた 多くの人々

選ばれた人の 幸福のために 見捨てられた人

息も詰まるような 自由の無い世界

変化は無いけど 息は出来ない

争おうにも 相手も見えない

生きながらにして 腐っていく日々

いつでも どこでも 誰でも いいから

ここから 抜け出し 彼方の 世界へ

生き残ることも 変わらないことも どちらもいらない

憎み合うこと 愛し合うこと 関わり合うこと

楽しいことも 悲しいことも 恐れることも

生きることさえ 意味はあるのか 意味はないのか

一二の三で みんなで抜け出そう

やめてしまえば 何とかなるもの

幸せはきっと 後からついて

忘れた頃に 戻ってくるから

  • Lyricist

    early bird institute

  • Composer

    early bird institute

  • Producer

    early bird institute

  • Graphic Design

    early bird institute

  • Mixed Artist

    early bird institute

Unobserved Nightmare Front Cover

Listen to Decadence (covered by suno v5) by early bird institute

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  • 1

    Schrödinger (covered by suno v5)

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  • 2

    Automatic (covered by suno v5)

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  • 3

    Kakurenbo (covered by suno v5)

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  • 4

    Pressure (covered by suno v5)

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  • 5

    Stop Motion (covered by suno v5)

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  • ⚫︎

    Decadence (covered by suno v5)

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  • 7

    Depravity (covered by suno v5)

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  • 8

    Shigarami (covered by suno v5)

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  • 9

    Loneliness (covered by suno v5)

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  • 10

    Truth (covered by suno v5)

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  • 11

    Mirai (covered by suno v5)

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  • 12

    Minamie (covered by suno v5)

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  • 13

    Traveler (covered by suno v5)

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This album, "Unobserved Nightmare", is the first installment in a series compiling songs I wrote and composed, covered by Suno v5. I plan to release all 75 tracks across six albums, and I created the track selection, titles, album art, and this liner notes in consultation with ChatGPT. As I refined the track selection, songs that seemed particularly well-suited to Suno naturally came together, shaping the unique character of this album. The tracks on this album weave together a sense of stagnation, uncertainty, loneliness, decadence, and the faint will to break free from it all. The first half is heavily imbued with a nightmarish sense of stagnation and repetition, while as the album progresses, hints of the future and movement gradually begin to emerge. However, this is not a simple salvation; it is also a sensation of still wandering within the dream while searching for an exit.

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