Unobserved Nightmare Front Cover

Lyric

Depravity (covered by suno v5)

early bird institute

つまらない 意地を張り 競い合うのも

結局は 負けるのが 嫌なだけだし

勝てば それで うまく行く

そんな 風に 思ってる

いつになく 張り切って 頑張ることも

色々と こじつけて 理由を述べて

だけど 実は 自分だけ

気持ち 良いと 思ってる

たまらなく 退屈な 日常だから

誰彼と 噂して 楽しんでいる

たぶん 嘘と わかってる

けれど それは 言わないの

本能に 従って 生きて行くのは

生き物で ある以上 仕方ないこと

それで 良いの 忘れれば

理性 なんて 意味が無い

息まいて けしかけて 大声出して

ギャラリーが 多いほど 興奮するし

ニヤニヤと 笑ってる 顔を見てると

それだけで 絶望で もう全て 堕落なのさ 堕落なのさ

間違えて 怒られて そんな時には

おどおどと 頼りなく 俯いている

それも ポーズ わかってる

舌を 出すの 懲りてない

本能に 従って 生きて行くのは

生き物で ある以上 仕方ないこと

それで 良いの 忘れれば

理性 なんて 意味が無い

息まいて けしかけて 大声出して

ギャラリーが 多いほど 興奮するし

ニヤニヤと 笑ってる 顔を見てると

それだけで 絶望で もう全て 堕落なのさ 堕落なのさ

  • Lyricist

    early bird institute

  • Composer

    early bird institute

  • Producer

    early bird institute

  • Graphic Design

    early bird institute

  • Mixed Artist

    early bird institute

Unobserved Nightmare Front Cover

Listen to Depravity (covered by suno v5) by early bird institute

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  • 1

    Schrödinger (covered by suno v5)

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  • 2

    Automatic (covered by suno v5)

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  • 3

    Kakurenbo (covered by suno v5)

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  • 4

    Pressure (covered by suno v5)

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  • 5

    Stop Motion (covered by suno v5)

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  • 6

    Decadence (covered by suno v5)

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  • ⚫︎

    Depravity (covered by suno v5)

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  • 8

    Shigarami (covered by suno v5)

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  • 9

    Loneliness (covered by suno v5)

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  • 10

    Truth (covered by suno v5)

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  • 11

    Mirai (covered by suno v5)

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  • 12

    Minamie (covered by suno v5)

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  • 13

    Traveler (covered by suno v5)

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This album, "Unobserved Nightmare", is the first installment in a series compiling songs I wrote and composed, covered by Suno v5. I plan to release all 75 tracks across six albums, and I created the track selection, titles, album art, and this liner notes in consultation with ChatGPT. As I refined the track selection, songs that seemed particularly well-suited to Suno naturally came together, shaping the unique character of this album. The tracks on this album weave together a sense of stagnation, uncertainty, loneliness, decadence, and the faint will to break free from it all. The first half is heavily imbued with a nightmarish sense of stagnation and repetition, while as the album progresses, hints of the future and movement gradually begin to emerge. However, this is not a simple salvation; it is also a sensation of still wandering within the dream while searching for an exit.

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