

いらないものはもう全部
捨てた気でいたんだ
ただ絡まって
くっついてただけ
焦ったい言葉を全部
書き出してみたんだ
ただ固まって
動けない僕はもう斜塔
俯かないように走るよ
だけどまだ
何もカラッとしない
湿り気ばかりで
依然 僕が悩んでいたとして
晴天だった
決まって 晴天だった
晴天だった
依然 僕が眩んでいたとして
晴天だった
誓って 晴天だった
晴天だった
心外なんだ
泣きたくないのは
泣いたとて届きはしないからで
まだ見えない光とか
探していたんだ
手に負えないような視線の先で
培った不安不満
冷たくて 笑っちゃった
涙が出ないように走るよ
だけどまだ
何もカラッとしない
ずっと日陰に閉じこもって
暗い窓から空を見てるよ
僕はまだ
何も変わっていない
湿り気ばかりだ
依然 僕が恨んでいたとして
晴天だった
君はいつも 晴天だった
晴天だった
依然 僕が叫んでいたとして
晴天だった
君はずっと 晴天だった
晴天だった
ここにいないまま
ここにいたいから
- Lyricist
Yuito Tashiro
- Composer
Yuito Tashiro
- Producer
Yuito Tashiro
- Mixing Engineer
Yuito Tashiro
- Mastering Engineer
Yuito Tashiro
- Graphic Design
Yuito Tashiro
- Vocals
Yuito Tashiro
- Programming
Yuito Tashiro

Listen to Kanto Is Sunny Again Today by Kyokuhoku Kansokusen
Streaming / Download
- ⚫︎
Kanto Is Sunny Again Today
Kyokuhoku Kansokusen
Kanto Is Sunny Again Today.
Kyokuhoku-Kansokusen Observation Record No. 01.
Artist Profile
Kyokuhoku Kansokusen
Kyokuhoku Kansokusen is a music and visual project that observes the lives and sensations of people living within the city. Its work begins with ordinary urban scenery: residential streets, alleyways, parks, roads, trains, and the sky. These are places seen every day yet often passed without notice. The project gathers such fragments and records the traces of temperature, distance, loneliness, anxiety, and human presence that remain within them. The Tokyo portrayed by Kyokuhoku Kansokusen is not a spectacular metropolis of landmarks or tourist destinations. Its focus is the city of everyday life: neighborhoods where people live, roads lined with utility poles, spaces beneath elevated highways, quiet parks, and landscapes drifting past a train window. These places carry no name, yet somehow feel named. That tension between anonymity and specificity is central to the project. Musically, Kyokuhoku Kansokusen draws from ambient, electronica, techno, alternative music, and shoegaze, while keeping J-pop melodies and lyrics at its core. Crossing genres is not an end in itself. Different musical vocabularies are used to shape emotions that emerge through everyday life in the city. The music moves between coldness and intimacy, artificial structures and the human body, pop music and environmental sound. Visual expression is part of the same artistic world. Footage of residential neighborhoods, roads, skies, and parks around Tokyo is captured through low-resolution digital imagery and textures reminiscent of VHS. The images do not simply illustrate the songs. Music and video observe the same city from different angles. Influenced by DreamCore and post-internet visual culture, the project does not invent imaginary spaces. Its source material is the real urban landscape of Japan. By making everyday scenery feel slightly unfamiliar, it seeks to create the sensation of looking at somewhere you know and, for a moment, seeing somewhere you do not. The name Kyokuhoku Kansokusen reflects a perspective of remaining inside the city while observing it from a slight distance. What is being observed is not only the city itself, but also the self that exists within it. On September 23, 2026, Kyokuhoku Kansokusen will release its debut single, Kanto Is Sunny Again Today. The track is the project's first observation record, portraying an ordinary city beneath a clear sky and the faint unease that remains within its brightness. Ahead of the release, the project began publishing a continuous series of short videos on Instagram and TikTok using footage of Tokyo's urban and residential landscapes. Rather than beginning with conventional music promotion, it first presents the world it observes through images, allowing the music to emerge from that world afterward. Further singles will follow, each standing alone while gradually connecting into a larger sequence of observations that will eventually form an album. The early works examine the relationship between the city and the self, before expanding toward a broader question: what does it mean to engage with other people while living within a city? Through music, moving images, and fragmentary records shared across social media, Kyokuhoku Kansokusen continues to observe the sensations of urban life that slip through the gaps between words.
Kyokuhoku Kansokusenの他のリリース
