Bay Four Front Cover

Bay Four

  • Available on Apple Music
  • Available on Spotify
  • Available on YouTube Music
  • Available on LINE MUSIC
  • Available on Amazon Music Unlimited
  • Available on AWA
  • Available on iTunes
  • Available on Amazon Music
  • Available on recochoku
  • Available on mora
  • Available on Prime Music
  • Available on Amazon Music Free
  • Available on Deezer
  • Available on KKBOX
  • Available on d hits powered by recochoku
  • Available on d music powered by recochoku
  • Available on Music Store powered by recochoku
  • Available on music.jp STORE
  • Available on dwango.jp
  • Available on animelo mix
  • Available on K-POP Life
  • Available on Billboard x dwango
  • Available on OTOTOY
  • Available on mysound
  • Available on Orimusic Store
  • Available on utapass
  • Available on Rakuten Music
  • Available on USEN
  • Available on OTORAKU
  • Available on QQ Music
  • Available on Kugou Music
  • Available on Kuwo Music
  • Available on NetEase
  • Available on TIDAL
  • Available on FLO
  • Available on VIBE
  • Available on Melon
  • Available on Qobuz
  • Available on genie
  • Available on TikTok

Track List

  • Play music

※ Preview may take some time.
※ Preview is not available for songs under copyright collective.

This mid-tempo alternative rock track heavily channels the melancholic weariness and detached atmosphere of late 90s British indie and acoustic pub rock. The production intentionally maintains an unpolished, flat master aesthetic, featuring a gritty Wurlitzer electric piano blended with a trebly, dry guitar that retains its raw pick noise. The drum kit embraces human timing drift, perfectly complementing the mid-distance male vocal delivered with a flat British affect and natural room bleed. Sudden emotional vocal cracks and a guitar power chord entering unexpectedly on beat 3 add an unedited tension to the arrangement.

Lyrically, the song captures the quiet desperation of mundane adult life-counting the flickers of a broken fluorescent tube, scrolling through unaffordable properties, and telling convincing lies about being fine. The final mutation features a jarring shift into a 3/4 time signature and a deliberate re-entry on the wrong beat, culminating in an abrupt hard cut that leaves the listener suspended in the unresolved exhaustion of the line, "I was joking... mostly."

Artist Profile