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Lyric

cluster amaryllis

sumi

いつも思ってた 何かが始まるのは

何かがちょうど終わった時で

大事にしてたもの思い出す暇

もないくらい新しい光が

美しくありたいと願っていた

いつかのあの日の呪いで

そんな自分が嫌いではなかった

だから夜を明かさないまま

1つ2つ星が増えていく

果たして俺はこのまま

暗闇がやがて星たちに溢れて

朝になることに怯えていた

さよなら美しいものたちの

パレードは美しいの?

これから美しくあるためにいくの

さようならと ともにいくの

俺とは違う濃紅の

少しずつ散る美しい花と

出会ったんだ瞬きのその刹那

俺はどうも俺みたいだ

1つ2つと思いが増えていく

いろんな色でなぞるように

だからどれだけいついつまでも

終わりまで歩いてける気がした

さよなら美しいものたちよ

迷いの中で俺は美しいの?

ふたり美しくあるためにいくの

さようならと ともにいくの

さよなら美しいものたちの

パレードは美しいの?

これから美しくあるためにいくの

さようならと ともにいくの

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

  • Percussion

    sumi

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Listen to cluster amaryllis by sumi

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    sumi

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    cluster amaryllis

    sumi

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    sumi

愛しい人への贈り物です。

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


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