

いつも思ってた 何かが始まるのは
何かがちょうど終わった時で
大事にしてたもの思い出す暇
もないくらい新しい光が
美しくありたいと願っていた
いつかのあの日の呪いで
そんな自分が嫌いではなかった
だから夜を明かさないまま
1つ2つ星が増えていく
果たして俺はこのまま
暗闇がやがて星たちに溢れて
朝になることに怯えていた
さよなら美しいものたちの
パレードは美しいの?
これから美しくあるためにいくの
さようならと ともにいくの
俺とは違う濃紅の
少しずつ散る美しい花と
出会ったんだ瞬きのその刹那
俺はどうも俺みたいだ
1つ2つと思いが増えていく
いろんな色でなぞるように
だからどれだけいついつまでも
終わりまで歩いてける気がした
さよなら美しいものたちよ
迷いの中で俺は美しいの?
ふたり美しくあるためにいくの
さようならと ともにいくの
さよなら美しいものたちの
パレードは美しいの?
これから美しくあるためにいくの
さようならと ともにいくの
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to cluster amaryllis by sumi
Streaming / Download
愛しい人への贈り物です。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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