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Symphonic prog, progressive rock, German Baroque fugue, Bach-style counterpoint, Intro: 20-second solo piano single-note motif, sparse and haunting, no chords, Then immediate full chorus, Dual guitar riffs A and B start together and remain continuous: riff A low-register heavy ostinato, riff B mid-high syncopated counter-riff, No single-riff sections, Female choir only (soprano, alto), instant chorus entry, anthemic delivery, staggered entries within 1-2 bars, aggressive stretto, overlapping counterpoint, vocals locked to riffs, Cathedral pipe organ prominent, doubling and countering riffs, organ and voices in canon, Hammond Leslie overdrive, subtle Mellotron choir strings, Deep bass doubles riff A, Full live drums after intro, no fill, no count-in, 7/8 groove, 5/4 bridge, 155 BPM, Analog tape saturation, controlled cathedral reverb, wide stereo image, dark, majestic, suite structure