Kachoufuugetsu (yell for japan! remix version) Front Cover

Lyric

Kachoufuugetsu (yell for japan! remix version)

Tsuyoshi tsuno

「明日」へと光る アツい「想い」があるから

人知れず 悔し涙を 隠したこともあった

「願い」よ叶え  「夢」に焦がすよ

いつの間にか「星」の架け橋を  渡っていた

振り返れば思い出に  置き去りにした「笑顔」たちよ

大きな「感謝」で ウソ偽りのない「情熱」を歩んだ

窓辺に そっと「花」を歌うよ 咲き誇りながら 散る時の中で

「鳥」の夕ぐれ 「風」の瞬き 眩い「月」に 虹が掛かるのさ

「憂い」の 空が 雨で滲んでしまっても

それでも「愛」を奏で合うのさ お前とならばきっと

放っておけぬ「想い」があるから 「絆」を認め合うのさ

「鳥」の夕暮れ 「風」の瞬き 眩い「月」に 「花」が咲く

  • Lyricist

    Tsuyoshi tsuno

  • Composer

    Tsuyoshi tsuno

  • Remixer

    Tsuyoshi tsuno

Kachoufuugetsu (yell for japan! remix version) Front Cover

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    Kachoufuugetsu (yell for japan! remix version)

    Tsuyoshi tsuno

Really interesting!
I know this song, and it's pretty famous, isn't it?
Is that really all there is to it?

Q, First of all, the sound of the melody ... Isn't there a lot of "five-degree sound transitions"?
A, I certainly feel like that's how it started. This must be explained retroactively in the history of music. In the days of Gregorian chant, church music was simple with at most a "five-degree harmonic" in the main melody... And as time went by and the sweet "3rd degree hamori" began to color the songs, "5 degrees" was said to be "5 degrees of emptiness" and came out of the mainstream. And in the end, the use of "5 degrees" is banned!! The reason is that the sound is "sharp" ...
Here, we are talking about hamori, but we are following the idea that just as the sound of a chord matches the transition of sounds, what can be said about a sound transition in a hamori.
In other words, "sharp sound" is a characteristic of "5-degree sound transition", and at the same time, the "rock" color of the melody becomes stronger! This is the interval theory of modern sound carrying.

Q, Wasn't the chord progression interesting and popular in the past?
A, the consideration of the code may indeed be outdated, but...
Do you know what the new index "dissonance intervals" is!?
The number represented by this index is an accurate representation of "the avant-garde degree of the code" and "the degree of stimulation"!
In particular, for "key=C", the "C ionian scale" will function as the main scale. At that time, let's specifically find the new index above "dissonance intervals"! First of all, the code "G7", which is the "dominant seventh", is "2.5", while the code "B7" is
It becomes "3.25" and the number jumps! Actually, I don't know the code with a larger value and can't talk about it here, but I can't wait for the day when it will be put into practical use! That's the root of the code here.
"B7" is used!

Q, a few words about "melody theory"...
A. Nowadays, when it comes to theory, "melody theory" is the mainstream. However, isn't it difficult to learn and master "melody theory"? Then, by learning the new "chord theory" and using it in music, I think that the "melody" will be enriched a hundred or a thousand times! It is said to hurry up, but learning "chords" is effective and important to improve "melody"!!

This time, I tried to answer your questions here!
Music theory is interesting!!

Artist Profile

  • Tsuyoshi tsuno

    The establishment will take place in 2022. The main purpose is to help students who don't want to return to school or home to reintegrate, and we have been conducting activities aimed at stabilizing their mental well-being. It seems that most of these students have now successfully returned to school, which brings me a sense of relief. Recently, our activities focused on providing education to children have expanded, and we are at the stage of developing systems to ensure that all students who are not attending school can return. However, since this is all new for us... First and foremost, we want to pour 'love' into the children. It is said that indifference is the opposite of love, so I feel that if we engage with the children with genuine interest, we might find solutions. Children who receive 'love' will, when they grow up, use that experience to be able to pour 'love' into others. In other words, the transmission of 'love' occurs. I believe that this will ultimately lead to an increase in Japan's national strength... this is my personal theory. My representative works include 'To the Youth!', 'Wish - Just as the Rainbow Shines', 'Hope', 'Yamato Spirit', 'Surrounded by the Light of Gratitude', and 'Anakan (commonly known)'. I am such a music activist. Currently, there is 'Just Sing'.

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