Future-type time density

Yasuhiro Soda's approach to music production differs somewhat from the typical process of "completing" a piece.

He constructs sounds on the spot using a guitar and effect pedals, and the work is considered complete once a single take is finished. He doesn't use editing, re-recording, generative AI, or synthesizers.

This constraint of not being able to make corrections fosters a deep focus on the performance itself.

The works released daily are also small musical documents, recording the one-time decisions made on that particular day.