It was raining by the time I finished reading.

In an era overflowing with perfectly balanced sounds optimized for streaming environments, Yasuhiro Soda's approach clearly points in a different direction.
The sound, constructed solely with guitar and pedals, constantly oscillates between control and deviation, becoming fixed each time.
The constraint of a single-take recording functions not to enhance perfection, but rather to leave traces of judgment.
The daily update frequency also functions not to adapt to the speed of consumption, but as an act of presenting continuity itself.