

22時のバスケットコート いつもの場所で
破れたフェンスに もたれて someday
海にいきたいとか 免許が欲しいとか
電話が鳴っても 話した
I said, “too late”
ためらう 手をとって
You said, “trust me”
Still mine 坂道走って
白いシャツ追い越して
すぐに さわれちゃう距離の
月を見てた
Still mine 恋だとわかって
そこが 行き止まりの way
まさかホッとするなんて
切ないけど
駐車場の灯り 浴びれば主役
君がギャビーで 私がトロイ
「あの子とばっかりいるの?」
ママは気にしてるけど
そんなのどうだっていいよ
You said, “see you”
振りむいて 手を振って
I said, “not yet…”
曲がり角 カーブミラー
溢れてしまわないで
私だけのStory
Still mine たとえば叶って
いくつ約束したって
ふたり大人になれば
変わるのかな
Still mine いいから笑って
永遠みたいなふりで
ビデオ撮ろうよ 夏を
とじこめるように
ずっと忘れないよ ずっと
Like a friend, like a lover
どちらにしてもきっと
いちばん大切な……
Still mine 坂道走って
白いシャツ追い越して
あの日 さわれちゃう距離の
月を見てた
Still mine 恋だとわかって
そこが 行き止まりの way
でもね このままが いいの
このままでも……いいの
(行き止まりのway)
Ever mine
恋だとわかって
君だとわかって
- Lyricist
Yamazaki Aoi
- Composer
Yamazaki Aoi
- Producer
Yamazaki Aoi
- Recording Engineer
Yamazaki Aoi
- Mixing Engineer
Yamazaki Aoi
- Mastering Engineer
Masato Morisaki
- Guitar
Koichi Sato
- Vocals
Yamazaki Aoi

Listen to Still mine by Yamazaki Aoi
Streaming / Download
- 1
Uncharted Speed
Yamazaki Aoi
- 2
You Should've Chosen Me (2026)
Yamazaki Aoi
- 3
Quarterlife (25)
Yamazaki Aoi
- 4
Day1
Yamazaki Aoi
- ⚫︎
Still mine
Yamazaki Aoi
- 6
Acoustic guitar
Yamazaki Aoi
- 7
Singing Good Luck
Yamazaki Aoi
- 8
Sea glass
Yamazaki Aoi
- 9
IF YOU RE FREE AT THIS END
Yamazaki Aoi
- 10
Day1 (feat. Marina Yamane)
Yamazaki Aoi
Aoi Yamazaki returns with EVERMINE, her new ten-track album created to be sung in her own voice. Meaning [forever mine] the title reflects the feeling she had when she first began making music,the belief that her love for music would remain hers forever. Now in her thirties, Yamazaki revisits that original feeling from where she stands today.
Alongside her career as a singer-songwriter, Yamazaki has written songs for numerous artists, including the female idol group Juice=Juice. EVERMINE marks a return to her own voice, bringing together songs she felt she wanted to deliver herself. The album turns inward lyrically, exploring dreams, everyday life, living and dying, and the emotions that come with growing older.
From the renewed momentum toward chasing dreams in Mitosokudo to the contemplative Sea Glass, the album reflects Yamazakis present perspective while staying close to her roots. She also handled arrangement and mixing on many of the tracks herself. At its heart, EVERMINE is a reminder of something simple and enduring: she loves singing with an acoustic guitar, and she loves making music in her own way.



