

We need to hurry
時間はない
プレイリスト載りたい
待ってられない
We need to hurry
時代はまだ来ない
激戦のキャリア
狙いたいキャビア
ピックアップゼロ
受けまくるのはテロ
載りたいだよ記事
無理だった泣いた日々
俺にチャンス
もう無理
だから歌詞書く毎日
ラップ上手くしたら
AppleMusicに?
Spotifyに?
何でもいい
とにかく載りたい
ランキングチャート
赤チャートレベルで
上げてくmillion
笑われて悔しくねえか?
注目がアンチ泣きたくねえか?
ラップで天下取りたくねえか?
俺の時代にする
だから踏ん張る自分
We need to hurry
時間はない
プレイリスト載りたい
待ってられない
We need to hurry
時代はまだ来ない
激戦のキャリア
狙いたいキャビア
サブスクも言われてみれば
心のオンラインカジノ
もっと感じろ
リズムの取り方を
3年キャリア挫折した日々も
上手くいかずに
笑われる誹謗中傷
売れないラッパー
Action起こしたって
前向きに頑張っても
失敗が当たり前
だから 語るよ
俺のノンフィクション
障がいだけの曲は飽きた
別のジャンル伝えないとな
ポエトリーで伝える想いは
売れたいこと
それが全てさ
We need to hurry
時間はない
プレイリスト載りたい
待ってられない
We need to hurry
時代はまだ来ない
激戦のキャリア
狙いたいキャビア
- Lyricist
Damage Yakkun
- Composer
:Plue
- Producer
:Plue
- Recording Engineer
:Plue
- Mixing Engineer
:Plue
- Mastering Engineer
:Plue
- Assistant Engineer
:Plue
- Vocals
Damage Yakkun
- Rap
Damage Yakkun

Listen to We Need to Hurry by Damage Yakkun
Streaming / Download
- 1
Kakera
Damage Yakkun
- 2
Never mind
Damage Yakkun
- 3
Dame
Damage Yakkun
- 4
Communication Panic
Damage Yakkun
- ⚫︎
We Need to Hurry
Damage Yakkun
- 6
Congenital Wrap Syndrome
Damage Yakkun
"I can't give up now." "It's not just my disability. I want everyone to know the current level of my rap." This is the second mixtape that was born from such desire. Starting with the chill boom bap of "Kakera," he talks about his worries about his disability, then the heavy trap song "Kinai ni Nai," which shows the strength of his disability. Then, with the message of his feelings that he sometimes admits "I'm actually weak," he concludes with "If you're going to make fun of me, write a thesis." After that, the submission song "Dame," which is his first Ambient Beat, mainly talks about elementary school, junior high school, and the past, and ultimately conveys a song that turns things into something positive, but on the other hand, "Communication Panic," also on Ambient Beat, he brings to the fore the pain of conversation. However, he doesn't feel that a mixtape is interesting just because of his disability, and in "We Need to Hurry," in which he expressed his desire to "get on the official playlist," he expresses his "anxiety about still being underground and struggling to sell after three years of career," aside from his disability.
But, I'm crazy.
In "Congenital Rap Syndrome," which I can say is the album that brought out the reason why I wanted to release a mixtape, he said, "I really love rap, and seeing the success of rappers like YZERR, LEX, and Kohjiya, I became positive about Japanese rap and was infected in a good way."
But, as he receives advice from beatmaker :Plue, he says, "there are still challenges to overcome."
That's why I'm blessed.
For example, if it were to suddenly go well and be over in one shot, rap wouldn't be fun.
But every time I become a fan of YZERR and Kohjiya and listen to AppleMusic, I think about this.
"Both of them have a great sense of pressure."
"YZEER's punch lines are especially awesome and cool."
As far as rapping goes, I'm still at the level I was at when I released my last album, so I'd say I'm a "Bottom Rapper."
But I have no intention of giving up.
I worked hard underground for three years to become successful.
And little by little, I gained more friends and fans.
Even when things got tough because of my disability, overseas and Japanese rap supported me.
I still have a lot to improve with my mixtape, but I'm not done.
"Actually, this was just the beginning"...
Artist Profile
Damage Yakkun
A rapper with physical and developmental disabilities who works at a Type A continuous employment support facility. Despite his disability, he won the Sanrio Award at NIKKEI RAP LIVE VOICE 2023. He will continue his activities while continuing to work as a person with a disability based in Hiroshima.
Damage Yakkunの他のリリース
Damage Working B