dizziness Front Cover

Lyric

dizziness

sumi

グラスの中のアイスが

溶けてしまうまでは

見ないふりする

スーツを置いてリズムに合わせ

明日も見ないふりする

重いヘルツで

心が浮いて

真っ赤な数字も

あの子のリップも

ほんとにどうでもよかった

あたしがあたしでいられるための

必要でも嫌いなもの

低いヒールは

踊りにくくて

思い出す

夕暮れまで野原をかけ

まわって

よく小枝を踏んでしまったこと

赤くにじんで

痛くて泣いてた

立派なステップで

日々を超えて

振り返って気づいたこと

真っ白な今までの道に

いくつもの好きなこと

高いゆびわも

欲しくはなくて

朝まで

踊り踊ってるような人生に

私は

このままが続けばいいと思えて

低いヒールじゃ

踊りにくくて

裸足で

ありのままの素直なステップで

世界が

私の一部になって見えて

世界は

どうもひどく単純なリズムで

誰もが

踊り踊れるようなリズムで

一つになれるようなリズムで

誰かと共に

踊れるように

低いヒールと

スーツを持って

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

  • Percussion

    sumi

dizziness Front Cover

Listen to dizziness by sumi

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  • ⚫︎

    dizziness

    sumi

グラスの中のアイスが溶けてしまうまでは
見ないふりするスーツとリズム。
低いヒールじゃ踊りにくくて、裸足で
ありのままの素直なステップで、
世界が私の一部になって見える一曲。

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


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