NIPPON ELEKI BEAT vol.1 Front Cover

NIPPON ELEKI BEAT vol.1

SHIGEO NAKA

Track List

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he music on this album is a nostalgic trip to an exciting time for baby boomer bands, when Japan exploded with creativity along with the rest of the planet.

Japan popularized the inexpensive compact AM radio, and the sounds of the world filled the ears of Japanese teenagers, who were quick to pick up the trends and assimilate them within their culture. Amongst the most popular styles playing on international airwaves were the surf and instrumental sounds- with no lyrics to cross the language barrier- coming from America, Britain and beyond. Bands like The Ventures, The Shadows and The Spotniks gave birth to Eleki, with it's focus on strong melody and a hyped up guitar as the lead voice. This led musicians like Takeshi Terauchi, The Sharp Five, Yuzo Kayama (Japan's answer to Elvis Presley) and many more to release records with a distinctly Japanese feel, that, unfortunately, were slow to leave the Japanese archipelago.

"Nippon Eleki Beat" is Shigeo Naka's fourth solo album, and he returns to the sounds that first inspired him. With one original, the rest are covers of some of his favorite 60s songs done in the Eleki style. The opener "Rainy Pavement" was originally a moody vocal tune sung by the legendary Yuzo Kayama. Track 2 is The Sharp Five's "Golden Guitar," which has become one of the most recognizable Eleki songs around the world. Track 3, "Bombay Duck" is a bit more obscure, but has been covered by both The Shadows and The Ventures. "Furimuite Kyoto" is an original song by Naka, written for the kimono singer Madoka Ogino, and her vocal version is also included as a bonus track. (You will notice Miss Ogino as the cover model of this album.) Track 5 is a Yuzo Kayama rare instrumental tune, not included in his original albums. Track 6 comes all the way from Sweden's The Spotniks, who, together with The Shadows and The Ventures, are counted as one of the most famous instrumental bands of the 1960s. Track 7, "A Tear Fell" was a vocal song originally recorded by legendary Japanese GS band The Blue Comets and was a hit in 1968.

As you enjoy your travels though the monumental cities and sweeping countrysides of Japan, let the music of Shigeo Naka be your soundtrack, calling forth an optimistic time of discovery and harmony.

-Ferenc Dobronyi

Past Rank In

NIPPON ELEKI BEAT vol.1

Apple Music • Instrumental Top Albums • Israel • TOP 4 • 15 Jul 2022 Apple Music • Instrumental Top Albums • Singapore • TOP 17 • 9 Feb 2023 Apple Music • Instrumental Top Albums • Australia • TOP 48 • 16 Jul 2020 Apple Music • Instrumental Top Albums • Russian Federation • TOP 115 • 16 Sep 2023 Apple Music • Instrumental Top Albums • Germany • TOP 153 • 3 Nov 2020

Rainy Pavement

iTunes Store • Instrumental TOP SONGS • Japan • TOP 40 • 2 Aug 2019

Golden Guitar

iTunes Store • Instrumental TOP SONGS • United Kingdom • TOP 5 • 24 Sep 2021

Jupiter Special

iTunes Store • Instrumental TOP SONGS • Japan • TOP 22 • 6 Mar 2020

Artist Profile

  • Shigeo Naka

    Shigeo Naka, a gifted guitar player with too many influences to even name a favorite, formed the Surf Coasters with some surf music loving friends in early 1994. They were rehearsing and playing a few shows, and looking for a break. They auditioned for a TV show called Ebisu-Onsen, which has a format very much like Star Search here in the U.S., as amateur performers compete for a recording contract. Most of the acts were bland pop singers, and the Surf Coasters' hip shaking rock made them crowd favorites and they returned week after week, making it to the finals. Yuzo Sasaki is the editor of New Eleki Dynamica, a Japanese magazine dedicated to surf and instrumental music. He recalls being happily surprised to see The Surf Coasters shredding through "Miserlou" on Ebisu-Onsen; a surf band finally back in the spotlight in Japan. He remembers Shigeo's big smile and the girls screaming like it was the second coming of the Beatles. Meanwhile, back in America, Quentin Tarantino's "Pulp Fiction" was released with Dick Dale's "Miserlou" serving as it's theme song. The movie inspired the formation of hundreds of new surf bands in the U.S. and gave momentum to what's now know as the third wave of surf music. Well, it should be no surprise to you that Pulp Fiction was a huge hit in Japan as well and similarly inspired an interest in surf music. As Japanese fans of the movie soundtrack heard "Miserlou," the Surf Coasters were appearing on Ebisu-Onsen, and many people thought they had written the song! Unbelievably, they finished second, but this still led to a record contract and their first album, Surf Panic '95, and then five more albums for the Victor label, and then more albums after that.

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    Shigeo Nakaの他のリリース

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