For kabuki-cho majesty

the neon-shadowed night of Kabukichō, a man plays the piano alone.
This recording is a quiet ethical document-an attempt to reinterpret the concept of "hime" (princess) through a male body, blooming in the fissures of the city.
"Hime" here is not a gender, but a form of solitary existence within the urban landscape.
One who refuses to be seen, yet speaks through sound.
This piano is a letter to the city, an ethics of silence, a gentle resistance voiced through a man's body.
It was recorded in a nocturnal fissure.
Each key traces the cross-section of the city,
marking moments where systems and desires, bodies and prayers, quietly intersect.