"Boy" in novels and music (Live Band Performance) Front Cover

Lyric

Blue Back Dolly

Sho Nakayama

ドリー部屋に寝転んで僕らおしゃべりをしよう。

この温度、この距離を何故だろう?幸せに思う。

ドリーその蒼い背中は 時折寂しげに見えた。

そのポッケに忍ばせたいつか過去になる未来よ。

そして大人になっていく 嫌だな

裏山で見てたあの景色を 僕は忘れたくはないよ。

ドリー蒼い背中のドリー僕らは空も飛べるさ。

ドリーまだ起きているかい?

どうも眠れないみたいだ 少しだけ話をしないかい?

今日は月が綺麗だから

いつか大人になったらまた会おう

空き地に隠した宝物を僕は忘れたりしないよ。

ドリー 蒼い背中のドリー

さぁ未来へ帰ろう

そこで笑いあえたなら

  • Lyricist

    Sho Nakayama

  • Composer

    Sho Nakayama

  • Recording Engineer

    taturu ogasawara

  • Mixing Engineer

    taturu ogasawara

  • Guitar

    Sho Nakayama, wataru

  • Bass Guitar

    jyun shibata

  • Drums

    ryohei oda

  • Vocals

    Sho Nakayama

"Boy" in novels and music (Live Band Performance) Front Cover

Listen to Blue Back Dolly by Sho Nakayama

Streaming / Download

  • 1

    Stanway Breakfast

    Sho Nakayama

  • 2

    Love Letters from the Sea

    Sho Nakayama

  • 3

    Fireworks Maker's Love

    Sho Nakayama

  • 4

    The Country of Little Old Men

    Sho Nakayama

  • 5

    My grandpa lives in the park.

    Sho Nakayama

  • 6

    winter

    Sho Nakayama

  • ⚫︎

    Blue Back Dolly

    Sho Nakayama

  • 8

    Sylvia Cafe

    Sho Nakayama

  • 9

    Mary

    Sho Nakayama

  • 10

    I'm writing a poem for you

    Sho Nakayama

  • 11

    library

    Sho Nakayama

  • 12

    Sakura is hope

    Sho Nakayama

  • 13

    Boy

    Sho Nakayama

Among the various kinds of music, I have always written songs with the desire to express music that has elements such as "story", "color", "poetry" and "scenery". I started composing at the age of 16, and after nearly 10 years, the word "short story singing" came to mind. I thought, "What if I could make my songs into a "short story collection" like the great short story collections of Shusaku Endo, Haruki Murakami, and Yukio Mishima? No, I thought that this is music, so it should be a "short story singing". From that simple idea, I planned and created the one-man live "Short Story Singing 'Shounen'" recorded in this album.
Express the "story", "color", "poetry" and "scenery" that each song has through music. To do this, I gathered a group of reliable friends, including piano, violin, drums, bass and guitar.
When it came to creating the sound, I conveyed very abstract images to each musician, such as "a piano with a melancholy feel like a boy with morning blues" and "a drum with a dynamic feel like a little old man having fun at a carnival". However, my friends who helped me this time helped me find the "sound" behind my words. It was a really fun time creating sounds, scenery, and stories with such friends.
Also, the prologue poem that was read before each song. I was also very particular about the poetry reading. I wrote and spoke out loud, without embellishment, in honest words, about the world that welled up from within me.
2The curtain was raised on "Shounen" at a live house called SACT in Shinjuku. I hope that the world expressed there will remain in the corner of the hearts of those who listen, and become an opportunity to look at reality or a place to escape from reality. I expressed it with that thought in mind.
This album is a record of 13 stories that were particularly memorable from the many stories played at the live show. Or perhaps this album itself can be said to be one big story called "Shounen".
Please listen to it. Listen to each song as if you were turning the pages of an album. I think you will feel like you are traveling to various worlds.

Artist Profile

  • Sho Nakayama

    Born in Gifu City, Gifu Prefecture in 1988, he grew up with music, having a mother who was a piano instructor and a father who loves folk songs. From high school, he started playing and composing songs on acoustic guitar in earnest. At university, he studied Japanese literature and became familiar with "poetry." Currently living with his wife and two sons. We are carrying out performance activities carefully. Released 3 albums: 1st album "We saw Halley's Comet from the window of a local train", 2nd "Living Landscape" (produced by Tadashi Hirosawa), and 3rd "TINY RECORD". Soft singing voice, melody maker feat, cynical acoustic guitar tone, delicate poetry reading. Musical expression with a commitment to "poetry". The one and only Japanese singer-songwriter.

    Artist page


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