Kanto Is Sunny Again Today Front Cover

Lyric

Kanto Is Sunny Again Today

Kyokuhoku Kansokusen

いらないものはもう全部

捨てた気でいたんだ

ただ絡まって

くっついてただけ

焦ったい言葉を全部

書き出してみたんだ

ただ固まって

動けない僕はもう斜塔

俯かないように走るよ

だけどまだ

何もカラッとしない

湿り気ばかりで

依然 僕が悩んでいたとして

晴天だった

決まって 晴天だった

晴天だった

依然 僕が眩んでいたとして

晴天だった

誓って 晴天だった

晴天だった

心外なんだ

泣きたくないのは

泣いたとて届きはしないからで

まだ見えない光とか

探していたんだ

手に負えないような視線の先で

培った不安不満

冷たくて 笑っちゃった

涙が出ないように走るよ

だけどまだ

何もカラッとしない

ずっと日陰に閉じこもって

暗い窓から空を見てるよ

僕はまだ

何も変わっていない

湿り気ばかりだ

依然 僕が恨んでいたとして

晴天だった

君はいつも 晴天だった

晴天だった

依然 僕が叫んでいたとして

晴天だった

君はずっと 晴天だった

晴天だった

ここにいないまま

ここにいたいから

  • Lyricist

    Yuito Tashiro

  • Composer

    Yuito Tashiro

  • Producer

    Yuito Tashiro

  • Mixing Engineer

    Yuito Tashiro

  • Mastering Engineer

    Yuito Tashiro

  • Graphic Design

    Yuito Tashiro

  • Vocals

    Yuito Tashiro

  • Programming

    Yuito Tashiro

Kanto Is Sunny Again Today Front Cover

Listen to Kanto Is Sunny Again Today by Kyokuhoku Kansokusen

Streaming / Download

  • ⚫︎

    Kanto Is Sunny Again Today

    Kyokuhoku Kansokusen

Kanto Is Sunny Again Today.

Kyokuhoku-Kansokusen Observation Record No. 01.

Past Playlist In

Kanto Is Sunny Again Today

Spotify • 【毎週更新】HOLIDAY! RECORDS厳選の新鋭インディーズバンド特集 • 29 Sep 2026

Artist Profile

  • Kyokuhoku Kansokusen

    Kyokuhoku Kansokusen is a music and visual project that observes the lives and sensations of people living within the city. Its work begins with ordinary urban scenery: residential streets, alleyways, parks, roads, trains, and the sky. These are places seen every day yet often passed without notice. The project gathers such fragments and records the traces of temperature, distance, loneliness, anxiety, and human presence that remain within them. The Tokyo portrayed by Kyokuhoku Kansokusen is not a spectacular metropolis of landmarks or tourist destinations. Its focus is the city of everyday life: neighborhoods where people live, roads lined with utility poles, spaces beneath elevated highways, quiet parks, and landscapes drifting past a train window. These places carry no name, yet somehow feel named. That tension between anonymity and specificity is central to the project. Musically, Kyokuhoku Kansokusen draws from ambient, electronica, techno, alternative music, and shoegaze, while keeping J-pop melodies and lyrics at its core. Crossing genres is not an end in itself. Different musical vocabularies are used to shape emotions that emerge through everyday life in the city. The music moves between coldness and intimacy, artificial structures and the human body, pop music and environmental sound. Visual expression is part of the same artistic world. Footage of residential neighborhoods, roads, skies, and parks around Tokyo is captured through low-resolution digital imagery and textures reminiscent of VHS. The images do not simply illustrate the songs. Music and video observe the same city from different angles. Influenced by DreamCore and post-internet visual culture, the project does not invent imaginary spaces. Its source material is the real urban landscape of Japan. By making everyday scenery feel slightly unfamiliar, it seeks to create the sensation of looking at somewhere you know and, for a moment, seeing somewhere you do not. The name Kyokuhoku Kansokusen reflects a perspective of remaining inside the city while observing it from a slight distance. What is being observed is not only the city itself, but also the self that exists within it. On September 23, 2026, Kyokuhoku Kansokusen will release its debut single, Kanto Is Sunny Again Today. The track is the project's first observation record, portraying an ordinary city beneath a clear sky and the faint unease that remains within its brightness. Ahead of the release, the project began publishing a continuous series of short videos on Instagram and TikTok using footage of Tokyo's urban and residential landscapes. Rather than beginning with conventional music promotion, it first presents the world it observes through images, allowing the music to emerge from that world afterward. Further singles will follow, each standing alone while gradually connecting into a larger sequence of observations that will eventually form an album. The early works examine the relationship between the city and the self, before expanding toward a broader question: what does it mean to engage with other people while living within a city? Through music, moving images, and fragmentary records shared across social media, Kyokuhoku Kansokusen continues to observe the sensations of urban life that slip through the gaps between words.

    Artist page


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