

バスタブに揺れる水面
いつから明日を占うように
蛇口から漏れる吐息
吸い込んで 吸い込んで
羨ましいと微笑むその笑顔は
敗れた羽を持ち
うまく飛べない
ヘルプミー 鏡の前で
あたしに向けて見せる笑顔を
作って
メイビーそれは自然に
だけど不思議とどこか見覚えのある
救って
すくってほしかったあの夏の金魚
ついでにあたしのこと
うつろいでいくのか
あなたとのことも
ヘルプミー 鏡の前で
あたしに向けて見せる笑顔を
作って
メイビーそれは自然に
だけど不思議とどこか見覚えのある
救って
独占的無関心の虜になった末路
それがあたしならいっそ骨になりたい
行方しれずの水栓
ヘルプミー 鏡の前で
あたしに向けて見せる笑顔を
作って
メイビーそれは自然に
だけど不思議とどこか見覚えのある
救って
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Percussion
sumi

Listen to Prism by sumi
Streaming / Download
- ⚫︎
Prism
sumi
バスタブに揺れる水面、明日を占うように。
「ヘルプミー」と鏡の前で笑顔を作って、
「メイビーそれは自然に」と救いを待つ。
独占的無関心の虜になった末路、いっそ骨になりたい。
17th single「Prism」。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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