Prism Front Cover

Lyric

Prism

sumi

バスタブに揺れる水面

いつから明日を占うように

蛇口から漏れる吐息

吸い込んで 吸い込んで

羨ましいと微笑むその笑顔は

敗れた羽を持ち

うまく飛べない

ヘルプミー 鏡の前で

あたしに向けて見せる笑顔を

作って

メイビーそれは自然に

だけど不思議とどこか見覚えのある

救って

すくってほしかったあの夏の金魚

ついでにあたしのこと

うつろいでいくのか

あなたとのことも

ヘルプミー 鏡の前で

あたしに向けて見せる笑顔を

作って

メイビーそれは自然に

だけど不思議とどこか見覚えのある

救って

独占的無関心の虜になった末路

それがあたしならいっそ骨になりたい

行方しれずの水栓

ヘルプミー 鏡の前で

あたしに向けて見せる笑顔を

作って

メイビーそれは自然に

だけど不思議とどこか見覚えのある

救って

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Percussion

    sumi

Prism Front Cover

Listen to Prism by sumi

Streaming / Download

  • ⚫︎

    Prism

    sumi

バスタブに揺れる水面、明日を占うように。
「ヘルプミー」と鏡の前で笑顔を作って、
「メイビーそれは自然に」と救いを待つ。
独占的無関心の虜になった末路、いっそ骨になりたい。
17th single「Prism」。

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


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