longing rush Front Cover

Lyric

longing rush

sumi

眩し過ぎて日焼けをした

ただずっと見つめていた

ぐるぐるぐるぐる

寂しいほど光っていたずっと

ひとりぼっちなみたいだ

あぁうるうるうるる

采配甘めナンデナンデけれど

喝采多め謎ランデブー

想い出由来の旅の途中

苦しいほどにやるせないのは

あなたにずっとこの手伸ばしても

なかなかどうも届かないこと

悔しい超えて追いつきたいのよ

はらはらまう花びらになるまえにあなたへと届いたなら

いいな

光りたくてやけどをした

なかなかずっと治らないな

あぁぐるぐるぐるぐる

寂しいほど光っていたずっと

ひとりぼっちなみたいだ

あぁうるうるうるる

独占きつめハンデ多めだけど

難題やばめ謎ランデブー

あなた由来の旅の途中

虚しいほどに切ないことは

あなたにもしも手が届いても

あたしはもう興味ないこと

悔しい超えてかわいそうなのよ

はらはらまう花びらになるまえにあなたへと届いたなら

いいな

いいな

苦しいほどにやるせないのは

あなたにずっとこの手伸ばしても

なかなかどうも届かないこと

悔しい超えて追い越したいのよ

はらはらまう花びらになるまえにあなたへと届いたなら

いいな

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Vocals

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

  • Percussion

    sumi

longing rush Front Cover

Listen to longing rush by sumi

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    longing rush

    sumi

"longing rush" - the 23rd single by Sumi.

Blinded by the light, and still I kept looking.
A song of longing: reaching toward a brightness that never comes closer.
The second night of the "One Night" chapter, following "scarlet" at dusk.

Music & Lyrics / MIDI Arrangement / Mastering: Sumi
Audio Realization: Suno
Only the voice is borrowed from AI.

Musikaroid Records / MSKR-0024

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


    sumiの他のリリース

Musikaroid Records

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