

Lyric
Jazzing
Mitsuba, NS-VATA
Yeah It's Mr.MTB in the house
OiOiOi
ダイがJazzを信じたように
俺もHiphopをBelive it
中指が混じったピース
変わらずmembers only
答えをくれるRick Rubin
GrowするLyrics
針とインク
隣Seagroovettt
まるでJazzのSwing
たまに針飛び
しては出戻り
ADCノスタルジー
That's splendid
いまだに泥の味が残る口
バーカン前バーナムみたく
CoolにDancing aha
踊る泡のように
弾け飛んだBubbles
Like a Wilkinson
So freshなライムでメイクするモヒート
I got confidence
既に誰かのHero
燃やしてる命は緋色
内に青い炎
酔っ払いtake a taxi
PickしてはDrop
数ある選択肢の中で選び抜いた確信
Sting like a bee
On the NS-VATA beat
裏で箔を刻み揺れるJazzing
So Blue
Our crew
We so smooth
Lifeは即興でアドリブ
弱火で煮込む濃いめのソース
味付けはSalty
Booth内で料理
Midnight
越えてGood morning
灯火は消えぬ
Bring back to New Orleans
My blues is everything around me
好きに歩く街
We're so jazzing
Yeah Life is Jazz
好きにFreestyle
感じたままに吐く
成せばなるようになる
生き延びるHow
Smoothに歩きながらSurvive
Credit貯まるマイル
次はどこの国に参る
繋がり始めている点と線
天に昇るまでは点を増やし続けていく
近頃見つめ直し控えているグルテン
戒めてはけじめ
Jazzはジャンルではなく
あくまでマインドセット
旋律(戦慄)
呼吸を調律
Back to the beginning
善と悪を両立
紳士的で知的
狂気的で明晰
まるでテッドバンディ
タイヤ回るBreakbeats
拍車かかりバースKick
脱輪してはFix it
辿れないな轍
誰が敵で誰がEnemyかが
分からなくなる様な状態でも平気
葛藤する内向すら
味に変える名人
So Blue
Our crew
We so smooth
Lifeは即興でアドリブ
弱火で煮込む濃いめのソース
味付けはSalty
Booth内で料理
Midnight
越えてGood morning
灯火は消えぬ
Bring back to New Orleans
My blues is everything around me
好きに歩く街
We're so jazzing
Yeah So JazzなLife
Oh yeah
- Lyricist
Mitsuba
- Composer
NS-VATA
- Producer
NS-VATA
- Co-Producer
Tatsuya Isoyama
- Recording Engineer
Tatsuya Isoyama
- Mixing Engineer
Tatsuya Isoyama
- Mastering Engineer
Tatsuya Isoyama
- Rap
Mitsuba

Listen to Jazzing by Mitsuba, NS-VATA
Streaming / Download
The Mercy
Mitsuba, NS-VATA
- 1
Intro~First chapter
Mitsuba, NS-VATA
- 2
Ensemble
Mitsuba
- 3
Under the Moonlight
Mitsuba
- ⚫︎
Jazzing
Mitsuba, NS-VATA
- 5
Real
Mitsuba, NS-VATA
- 6
Yorisoi (feat. KBOO)
Mitsuba
- 7
You'll be on my mind
Mitsuba
- 8
Mabayuki (feat. Coco Kurokawa)
Mitsuba
- 9
Kazeni ikiru
Mitsuba
- 10
Outro~Final chapter
Mitsuba, NS-VATA
Mitsuba, a rapper from Adachi Ward, Tokyo, is releasing her debut album, *The Mercy*.
This album showcases a flow imbued with aesthetics down to the very last detail. It packs NS-VATA's experimental beats-featuring ambient soundscapes that feel both cold and warm-with Mitsuba's signature skillful self-promotion, delicate introspection, his stance as someone living in the Age of the Wind, and even youthful themes like heartbreak.
Although the title "The Mercy" was changed from the original, the album is like a collection of short stories depicting "salvation"-the story of a young man who cannot become as insensitive as machines or AI, who finds salvation through his own expression, and whose very act of expression can itself become a source of salvation for others.



