DIO RAMA CITY Front Cover

DIO RAMA CITY

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The album was completed with a very huge worldview dropped into it.

The presence of each song is so large that it seems like a miracle that 13 songs of such a large scale are gathered together. The total playing time of the album is exactly 80 minutes. I put all my energy into building this city so that I could really focus on all the parts and not be embarrassed to show it to anyone. I would like people to visit the album in a huge world, and follow each song, and express their own landscapes and interpretations in this album.

My album titles always have the word "atom" hidden in them. the first album, "automata", has "atom" hidden in it, and the second album, "Atom Heart Mine", has it plainly marked; the third album is no exception.

DIO RAMA CITY is the third album, of course, and that's the reason why I divided it into three words, and most of the songs are also bound by that. The songs "Nemesis" and "Nikola-ku Tesla City", which are far away from these boundaries, have a great meaning, but it's not for me to tell you what that meaning is. I would like to leave it to the audience to listen.

The word DIORAMA means diorama, the word DIO means God in Italian, RAMA is revered as a hero in India, and CITY is named after the city. This city is the stage of the world, and the album is made up of various protagonists surrounding this city.

Since I call myself an apocalyptic Vocaloid P, of course most of my songs are about the apocalypse, but I wanted to focus on the fact that the apocalypse is not just a sad thing. The theme of the album was to depict a bright end, a new future opened up by the end of the world. That's why I was able to include the egregious ending in the album. The activities and lives that take place in various places. It is quite natural that they end for some reason or another, and we have done this a billion times before. But each one of them has its own drama, and although I was only able to cover 13 songs this time, I still think that the ordinary world we live in has a much bigger world.

We, creators, create a box garden in our fiction and grow our own world there. However, it is the real world we live in that influences the way we grow our world. I would be more than happy if a world called DIO RAMA CITY emerges from the back and forth between reality and fiction, reaches you, and influences one of your world views.

I think I've done most of what I wanted to do with this album, and maybe this will be the last thing I release. But I am satisfied with it. If this album is the end of me, it will be an honor.

The next story may be updated as Kazki Sakamoto. Those are still undecided. However, I would like to keep doing this for a long time, with music, pictures, and stories, as a person who comes to you when you forget and conveys impact to you.

Please listen to it until it is fully squeezed. The album is so durable that it takes a lot of effort to squeeze it out. You can loop the songs you like, or listen to them in order to follow the world of the album. Just as no one can interfere with my world, I will not interfere with yours.

I want you to grow this world with me.

It will come to you when you forget.
Don't forget.
See you.

Past Rank In

DIO RAMA CITY

iTunes Store • Alternative TOP ALBUMS • Japan • TOP 28 • 9 Oct 2021

Artist Profile

  • yomei0401

    Doomsday Vocaloid Producer. He started his career as a vocaloid producer in 2013. His first work, "Small Ghosts and Big Ghosts," drew comments like, "It's like listening to early Hachi (kenshi Yonezu). Based on a huge worldview with a sense of apocalypse, he borrows from Shibuya-kei and Shinjuku-kei, and calls himself an apocalyptic vocaloid producer. He has become an unavoidable presence in the underground Vocaloid culture, radiating a unique atmosphere. I'll come when you forget. Don't forget me. See you soon.

    Artist page

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