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Shoe Polish Epilogue is a mid tempo city pop track that portrays a woman polishing the boots she once wore beside a former lover, on an autumn night in Shimokitazawa.
She twists open the tin of polish and last year drifts up with the scent, the gravel slope beneath the water tower, the crooked wear at the heel, the deep shine returning to the leather under a slowly circling cloth. These small details create a quiet, cinematic scene where memory surfaces through the hands rather than through words.
Performed by the fictional AI singer Akemi, the song captures the loneliness of adulthood, of a woman who does not wish to walk that road again and polishes only what can be restored before setting the shoes away.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era warm, bittersweet lyricism through the light of an entryway, a scent that carries back a road, and a gravel slope remembered beneath a water tower.
The polished shoes are lined up and the cabinet door closes without a sound, yet the scent of the polish still lingers on her fingers. Knowing that some things do not return, she chooses to step forward without asking to walk that road once more.
Produced by nanayon music.
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
nanayon music