Triple Sec Supernova Front Cover

Lyric

Triple Sec Supernova

The Lady Shelters

車輪の下 ニューヨークシティ

被害者意識かな?

車輪の中 ヨコハマシティ

変わらぬ毎日

走りたいな あの 66

ドラゴンフィッシュとひそもう

ハドソン川に

ナポレオンフィッシュ追いかけて

本牧ふ頭

西へ向かおう この 66

あのフリー、あのフリーな感覚

トリプルセック、

トリプルセック・スーパーノヴァ

あの【ステージ】

あの《自由な絶頂》

クワトロセック、

クワトロセック・ウルトラノヴァ

暗闇の中、走ろう

逃げるように

天の川が道しるべ

砂ボコリたてて

走り抜ける【ルート66】

何度も、何度も祈った

神様いても

神様が、いなくても

あの空、あの空を見上げた

かなわなくても

願いが消えないから

Ah

積み上げていたものが

また

すべて崩れ去って、、

でも

もう一度、願う

あのフリー、あのフリーな感覚

トリプルセック、

トリプルセック・スーパーノヴァ

あの【ステージ】

あの《甘美な絶叫》

クワトロセック、

クワトロセック・ウルトラノヴァ

  • Lyricist

    jiku.Aono

  • Composer

    jiku.Aono

Triple Sec Supernova Front Cover

Listen to Triple Sec Supernova by The Lady Shelters

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    Triple Sec Supernova

    The Lady Shelters

Quattro Sec Ultranova as a non-sense.

The year 2023 is still blisteringly warm in November: late October was all about the Rolling Stones' first new album in 18 years, and a little later the Beatles' last new song was released.

And the TLS? TLS was well-received for their performance at the Red Warriors' festival held on October 29 at the Omiya Sonic City Grand Hall (2505 seats), and their statement during the live house performance that they were working on their fifth album was also attracting attention.

Then one night, TLS suddenly sent us the data for a song. It was titled "Triple Sec Super Nova. I plugged my office headphones on the table into my laptop, listened to it for about 50 seconds, and then stopped. The sound was amarinimally different from what I had imagined.
I unzipped the data into CD format and took the white disc to a friend's house in the neighborhood because I thought the 30-year-old JBL speakers and the McIntosh power amp would work well together.

[omitted]

I thought it was a dimensionally superior version of their substantial debut, "Rolling Thunder Debut. That song was also an anomaly in the TLS repertoire, but here, the 1970s and 1990s seem to be organically connected, with the 1980s skipping over the 1980s.

Mr. Kent's bass, which shoots through our hearts and waist, and Mr. Akari's drums, which inspire our analog cells and light up our hearts with a "light of joy," are both 70's in style, and the wamono (Japanese traditional music), which is used here and there as a subtle hidden flavor, sometimes sounds "golden" and "out of tune" in a 60's way. The wamono (Japanese traditional instruments), which are sometimes used as a subtle hidden taste, are sometimes "golden and out of tune," and are very 60s.

By the way, TLS, who had said last time that he doubted the utility of the click (metronome), said that this time he was even considering tuning itself and the elimination of "miss-touch".

[omitted]

Mizuki's singing was a double edged sword: the Hirauta part, which evolved from her "neo-candy voice" of "Before Little Belly" several times more than before, and the chorus part, which was more delicate and bold than "Rolling Thunder Debut," and filled with a sense of urgency and urgency, and it kept on moving us.

Moreover, it has a "superb naturalness" that will continue to move us over time.

[Omitted]

I sat on the bank of the river to cool my hotetta heart, gazing at the silver grasses of Musashino, illuminated by the autumn moon, and the dark, glowing surface of the water.

I nervously contacted Mr. Tokizora Aono on the spot and asked him, "Is the overall tone of your new album dark?" I asked him. He said casually, "No, it's HYPER and bright," and quickly hung up the phone. Talented young people seem to be very busy.

He also said, "The stage at a live music club is the only place where I can perform.
The stage of a live music club is the pinnacle of our lives. I especially want you to listen to the two parts of the chorus where Mizuki sings "Stage.

I thought to myself, "Is that San-zuke?

The autumn night breeze coolly crossed the surface of the water.

Come winter, the details of the fifth album will be revealed.


November 2023

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