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Past Rank In

23

Apple Music • Instrumental Top Albums • Belarus • TOP 3 • 31 Jan 2023 Apple Music • Instrumental Top Albums • Thailand • TOP 10 • 26 Apr 2023 Apple Music • Instrumental Top Albums • Japan • TOP 73 • 12 Jan 2023 Apple Music • Instrumental Top Albums • Netherlands • TOP 94 • 26 Jan 2024 Apple Music • Instrumental Top Albums • China • TOP 113 • 26 Feb 2023

Knew me

Apple Music • Instrumental Top Songs • Belarus • TOP 140 • 31 Jan 2023

23

iTunes Store • Instrumental TOP SONGS • Japan • TOP 14 • 27 Jan 2023 Apple Music • Instrumental Top Songs • Belarus • TOP 66 • 31 Jan 2023

Slodown

Apple Music • Instrumental Top Songs • Belarus • TOP 87 • 31 Jan 2023

Shutoko Midnight

iTunes Store • Instrumental TOP SONGS • Japan • TOP 13 • 27 Jan 2023 Apple Music • Instrumental Top Songs • Belarus • TOP 86 • 31 Jan 2023

Gimme da loot

Apple Music • Instrumental Top Songs • Belarus • TOP 85 • 31 Jan 2023

FINDOUT

Apple Music • Instrumental Top Songs • Belarus • TOP 84 • 31 Jan 2023

notal right

iTunes Store • Instrumental TOP SONGS • Japan • TOP 34 • 16 Jan 2023 Apple Music • Instrumental Top Songs • Belarus • TOP 83 • 31 Jan 2023

No Woman No Cry

Apple Music • Instrumental Top Songs • Fiji • TOP 4 • 3 Nov 2024 iTunes Store • Instrumental TOP SONGS • Japan • TOP 9 • 28 Jan 2023 Apple Music • Instrumental Top Songs • Belarus • TOP 150 • 25 Jan 2023

Past Playlist In

Knew me

Spotify • The Pulse of J-Rap • 21 Jan 2023

23

Spotify • New Music Everyday - tuneTracks (curated by TuneCore Japan) • 11 Jan 2023

Artist Profile

  • KOJOE

    Born in Niigata and raised in Queens, New York, Kojoe kickstarted his career in 2007 when he contracted with a New York independent label RAWKUS. Following his participation in the compilation project "Rawkus 50 Mixtape Vol.1", the label soon saw its doors shuttered indefinitely, and after returning to Japan in 2009, Kojoe; blending English and Japanese, performed amongst several artists using his high-skilled rap styles. Thus, establishing a unique presence in the Japanese scene with his completely independent style. Kojoe's success continued to grow as he received overwhelming support from peers, thrusting his career forward as he released works under various names and labels and expanded his outreach through links with OLIVE OIL and 5lack. November 2017 brought the release of his album titled "here". Highly evaluated, "here" comprised a variety of guest appearances spanning across multiple regions, generations, and crews such as 5lack, ISSUGI, BES, FEBB, MUD, and OMSB; as well as AKANE and Awich on the year's leading Japanese rap anthem, "BoSS RuN DeM". The release party at Shibuya WWW X, including many of these guest appearances, received an exceptional response, with OLLIE magazine featuring the event across 10 pages. "here" also demonstrated his talent as a mix engineer, earning Kojoe a feature on the cover of the magazine "Sound & Recording". In 2018, the album "2nd Childhood" was released at a remarkable speed of 9 months following the previous project. Demonstrating not only rap, but a further polished beat and production skill over his previous work as well. 2019 has already seen the launch of the new project "DemoTape". A cassette tape produced venture by Kojoe with BUPPON and ¥ellowBucks, requiring one-shot rap and REC skills. With future works by other artists certain to be on the way. Kojoe simply does not stop pushing forward and all focus will be placed on his next move in 2019.

    Artist page


    KOJOEの他のリリース
  • BLOOKY JEEKY

    Artist page


    BLOOKY JEEKYの他のリリース

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