Oedipus Front Cover

Lyric

6V

Milky

I’m still on the baby shit

縋るミルクの味甘い

見つからない夢のかたち

どっかいったトレカ

キラキラ

ダイヤとパール

よりもプラチナ

あの時から

どうなりたいかもう決まってた

固まる前に崩れた

型に嵌った姿

ガラクタ産んだ数だけが増えた

Goin’ crazy outta jealousy

もういいよ

目指せflawless hero

何処にもいないよ

Smash, burn another stash

無限star アメ食う

Hyper trained rapper

(shut the fuck up)

根明の仮面剥ぐ

げんきのかけらも無いわ;;

Dailydose 抗鬱

Microdose, max float 躁

Hello, Thanatos

I'm gone~ 。+. *

Walk to hatch, hatch, hatch

I’m in rush, rush, rush

轢かれないようにdash

Ambushed by tadpole

空飛べなくて詰んだ

Crash crash(X_x)

私の箱庭

芽生えた言葉が

宙を舞った

形だけじゃ足んないな

凪いだ風が教える

生きる意味

君に届いたらいいな

Millennium complex

Rockからpropsへ

僕から僕へ

Like a clock skew

Prompt from my absolute

約束だよ

引き金は引かないで

いつだって

見守ってる星

眩しいほどに光る

You're my ideal

But like in the mall in childhood

Wondering alone

離れてしまうよ

息が詰まる

Crayonの世界では

パパと手繋いだまま

  • Lyricist

    Milky

  • Composer

    Milky

  • Producer

    Milky

  • Vocals

    Milky

  • Rap

    Milky

Oedipus Front Cover

Listen to 6V by Milky

Streaming / Download

  • 1

    WHAT DID YOU FEEL WHEN I RUINED YOUR NAME

    Milky

  • 2

    crown

    Milky

  • 3

    Inherited Complex

    Milky

  • ⚫︎

    6V

    Milky

    E
  • 5

    picasso

    Milky

This work is a conscious rap project built on gloomy, distorted beats reminiscent of witch house and the SoundCloud scene around 2017, with all aspects of production-including the artwork-handled by Milky herself. Through themes that are both deeply personal and closely intertwined with social structures-such as the Oedipus complex, the father figure, ego and superego, and the division and reintegration of masculinity and femininity-the project articulates what can be described as "rap that verbalizes structure," expressed across layers of the body, relationships, and thought.

In contrast to certain contemporary rap scenes that emphasize material value and the display of success, this work embodies hip-hop's original role as self-critique by deliberately exposing immaturity, dependency, distorted desire, and an obsession with knowledge. It demonstrates that expression is fundamentally supported by context, lived experience, and one's attitude toward thinking itself.

Symbols such as the umbilical cord, names, and chains do not serve to romanticize family or fatherhood; rather, they reveal the inseparability of love and control, and of structural protection and violence, symbolizing the reality that has shaped and continues to influence Milky's own formation. Furthermore, by resisting fixed notions of gender and physicality, and by framing masculinity and femininity not as opposing binaries but as processes of transition and choice, the work translates coexisting inner impulses and fears into rap, aiming for a conscious expression that refuses to simplify identity.

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