TOKYO BAD NINJAZZ Front Cover

Lyric

TOKYO BAD NINJAZZ

C.Karter

(We back, we back...)

忍び足でup and down

飛び出すspit 粘着質

この忍術 ain't nobody

My girlはハーレクイン

これお前の脳までスキャンする

Step light feet

そのジョークじゃあくびしそう

忍び足でup and down

飛び出すベロ 溶けてくチーズ

この忍術 ain't nobody

My girlはeyday queen

そのbigなbootieもswing!

また"Booyah"

空間歪むflava

姿残さずTOKYO Cruise

Aw

I'm Rap God

横にGoodfellas

火花散らすFast and Furious

R.Johnson交わすCrossroads

グラインドハウスに宿るRap Devil

(冷めたシーンにログイン…pi pi pi, click)

TOKYO BAD NINJAZZ ここに参上

I'm Rap God

横にGoodfellas

火花散らすFast and Furious

R.Johnson交わすCrossroads

グラインドハウスに宿るRap Devil

お前にゃ無理だ dance with queenとフリフリ

棒立ち中指 ぱっと見でdibbi dibbi

Coolなstepでエスコート?ムリムリ笑

Huh huh huh huh..(Gasp)

このTokyo Coastで研ぎ澄ましたマスターピースの価値

ダチとキャッチしたら今日を離脱

興味ある事しか興味ナシ

今日みたいな日はもう来ない

From grind house

無茶苦茶にligit

足元からじっくりtop puff

遊び方はゆっくりchillin'

TOKYO BAD NINJAZZをもっかい

(Repeat it)

From grind house

無茶苦茶にligit

足元からじっくりtop puff

遊び方はゆっくりchillin'

TOKYO BAD NINJAZZをもっかい

REPEAT IT!

ラップの悪魔飼い慣らすEvil

RING♪

Bell鳴る

目を奪う

あいつも言う「呼吸がラップ」

ここに来ればわかる

忍び足でup and down

飛び出すspit 粘着質

この忍術 ain't nobody

My girlはハーレクイン

IICYY KRR in Tokyo city

Moneyの香り 金を稼ぎ

新しいカタチのビルディング建てて

アルタのTV 渋谷のヴィジョン

人の目浴びるBilli

まるでタモリのように遊びにマジ

あのマガジンこのマガジン

DrakeやTravisにDreにDiddy

人よりも少しbusy

登り詰めるまであともう少し

Fin!

I'm Rap God

横にGoodfellas

火花散らすFast and Furious

R.Johnson交わすCrossroads

グラインドハウスに宿るRap Devil

(冷めたシーンにログイン…pi pi pi, click)

TOKYO BAD NINJAZZ ここに参上

I'm Rap God

横にGoodfellas

火花散らすFast and Furious

R.Johnson交わすCrossroads

グラインドハウスに宿るRap Devil

お前にゃ無理だ dance with queenとフリフリ

棒立ち中指 ぱっと見でdibbi dibbi

Coolなstepでエスコート?ムリムリ笑

Huh huh huh huh..(Gasp)

  • Lyricist

    C.Karter

  • Composer

    C.Karter, Domin Beats

  • Producer

    Domin Beats

TOKYO BAD NINJAZZ Front Cover

Listen to TOKYO BAD NINJAZZ by C.Karter

Streaming / Download

  • ⚫︎

    TOKYO BAD NINJAZZ

    C.Karter

trap/drill/jersy club/detroit/flint...
By 2023, various types of music will be born in the U.S. and become popular music, and their expressions will be diversified. This delay will occur even with content such as SNS and Youtube.
There are those who catch new things, those who want them to be popular, and those who understand them, and those who take time to understand them. It is the time required for Japanese culture to come out of the underground to the overground that is filtered and eventually popularized between these two.
This is true of music and art, culture and politics. I feel that the only thing that does not fall into this category is sports.
This is because it is a form of expression that directly uses the physical body and brain, and does not take much time to understand.
Now, do you know this rapper named C. Karter?
He has loved painting and creativity since his childhood, and after living abroad, he had already completed his work at the crossroads of Japan in Tokyo in 2020, at the tip of a farcical and real situation called Corona.
The same year, he had finished recording the song by the time he went to visit the home studio of a man named ID, one of Japan's most famous artists.
TOKYO BAD NINJAZZ" is a very simple approach in the way of expression of one man, C.Karter. In other words, it is a work that places emphasis on the listener's and the singer's aural enjoyment.
Some of the phrases in the song, such as "Harlequin," "R. Johnson," and "Crossroads," have an American vibe, while others, such as "ninja steps," "Tokyo Bad Ninja," and "just like Tamori," are slightly comical expressions of Japan.
This song is a work filled with his playful spirit. The "we back" voice that can be heard throughout the track was influenced by Roddy Ricch's "The box," which C.Karter was listening to a lot during that period.
"TOKYO BAD NINJAZZ" is a "surprise box" of sorts.
It's not about what's out of fashion, but about what feels good to listen to and feel, and the playfulness in the words - or lyrics, if you prefer, in hip-hop - that can be unraveled later on.
It's a good first step to get to know him, and it's as catchy as Salvador Dali's "The Melted Clock" (originally titled "La persistencia de la memoria").

Artist Profile

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