Delayed arrival simultaneity

What Lies Beyond Subtraction
Yasuhiro Soda's production method focuses more on deciding what *not* to add rather than adding more sounds.
He uses only a single guitar and a large number of effect pedals, avoiding AI-generated sounds and synthesizers.
Under the constraints of one track, one take, and no editing, he explores the presence of sound.
This approach seems to connect with a Japanese aesthetic that avoids excessive ornamentation.