GREEN

01. wasabi
This is the most pop song in the GREEN album.
The minor key key and the lamenting feel of the song are not straightforward.
On the other hand, if you pay attention to the singing, the lyrics that inspire you might make this song a kind of cheering up song, and it is a song that establishes ITSUKI's individuality and is beautifully put together. On the other hand, how will it be presented in a live performance? (Is it more intense rock? A mature Jazz atmosphere?) I would love to hear it live! It is a song that shines with individuality and holds new possibilities for ITSUKI.

02. weeds
From the introduction, the slightly unusual rhythm is a bit deceptive. The minyo-style accompaniment reminds us of summer and even makes us feel nostalgic. This is a modern Japanese pop song with Japanese yet classical language and English word play. The way the lyrics are framed is unique. It's a catchy, memorable, ear-catching, and contemporary portrayal of ITSUKI's core strength as an artist. The song also makes you wonder what kind of life he has lived and what lies behind the lyrics.

03. moriage
This song has a slightly mysterious feel, starting with rhythmic African tones and a sound like a steam whistle. Perhaps it is the cheerful singing and lyrics, but it reminds me of the landscape of the continent. I want to sing this song with my children...for the future, where we can cooperate with each other across generations...I want to sing this song with my children! Itsuki's elongated vocals are pleasant as she expresses her gratitude to the mountains, forests, and trees.

04. bamboo princess
The composer may be a bit complicated, but this song has a so-called YMO feel to it. While comical, the song is also filled with a sense of tension in the middle of the song, making it something new to discover every time you listen to it. The short lyrics are filled with sadness for those who are about to be left by Bamboo Princess. The lyrics are ITSUKI's interpretation of Taketori Monogatari (The Tale of the Bamboo-Cutter), and the song's catchy lyrics, which are based on ITSUKI's own upbringing surrounded by bamboo, make the song simple yet profound for fans of ITSUKI.

05. hospitality
The song begins with a leisurely piano tempo, and when ITSUKI's singing begins, nostalgia is evoked at once. The interlude is full of emotion and makes one's heart clench. This is a piano version of Omotenashi Long Version from the CD version. It is an easy-to-understand piece about the goodness of Japan, and is a heartwarming experience for those who are just beginning to learn the tea ceremony. It has a human-like finish that makes it seem like a commercial song for tea.

06. wasabi (instrumental)
This is not a mere off-vocal song, but an instrumental arrangement. The lack of singing allows the listener to enjoy the detailed interplay of the instruments.

07. weeds (instrumental)
The interplay between the left and right flutes, which was buried in the singing, is strangely pleasing.

08. moriage (instrumental)
As in Weeds (instrumental), the paraphone-like tones are used here.

09. bamboo princess (instrumental)
It is fun to imagine how the composer must have enjoyed this song, and it is a good way to listen to it.