THE GRAFFITI MARKET Front Cover

Lyric

F1

DOGO

ドッグパークみたいでしょう

ポケットに入れるにはうるさすぎる

ペットショップで育ったやつは

やたらとベロを出すけど、意味はない

ああ、おれを殺して

興味がないなら

ストリートファイター、アローン

ペットショップみたいでしょう

ポケットに入れるにはうるさすぎる

捨て犬を500匹頭の中に飼ってる

ここはまるでドッグパークみたいですね

ああ、おれを殺して

興味がないなら

レイディースアンドジェントルマン

シスターレイがおれを迎えに来る

眠れないやつを迎えに来る

ペットショップに迎えに来る

ここはまるでドッグパークですね

ああ、おれを殺して

興味がないなら

レイディースアンドジェントルマン

#$!

ドッグパークみたいでしょう

ポケットに入れるにはうるさすぎる

ペットショップで育ったやつは

やたらとベロを出すけど、意味はない

  • Lyricist

    Takemaro Yokoyama

  • Composer

    Takemaro Yokoyama

  • Mixing Engineer

    Shunsai, Takemaro Yokoyama

  • Mastering Engineer

    Dave Cooley

  • Drums

    Umi Ogimi

  • Vocals

    Takemaro Yokoyama

THE GRAFFITI MARKET Front Cover

Listen to F1 by DOGO

Streaming / Download

This is the "debut" full-studio album by DOGO, a Tokyo-based rock band that gained attention for their performance on the Rookie A Go-Go stage at FUJI ROCK FESTIVAL 2025 and for their REIMEI SESSION audiovisual release.
In this work, frontman Takemaro Yokoyama's current songwriting ability blossoms into something that can be described as minimal outsider music or noise rock. Below are his self-written liner notes.

"The Graffiti Market" is a one-panel comic I invented:
A piece of graffiti someone scribbled on a wall is unearthed 100 years later and ends up being analyzed and traded for high prices in major city galleries.
The "graffiti" here refers to quick sketches or scrawls made simply to prove existence. They go unnoticed at the time they're made-but I believe they will inevitably gain meaning someday. That belief is what drove me to create these songs without overthinking.

Musical Concept:
1. Minimal Outsider
2. Music that can be performed by a band

1. Minimal Outsider
I followed my intuition on the day of recording. I wrote songs using just a notebook and pen, based on broad outlines and rough images of instrument arrangements. The specific phrases, lengths, and time signatures were decided on the spot, according to the mood of the day.
I'm tired of typical outsider art. So, I edited the recordings aggressively-cutting out parts I didn't like, looping the ones I did.
Multitrack recording was essential for this process (so I could loop phrases by instrument). That's why I didn't use any single-take sessions; instead, I recorded everything through layered takes at Studio NOAH.

2. Music Performable by a Band
Being a band is, in a way, a big constraint-and that's what made creating these songs so much fun.
The original core was four elements: drums, bass, guitar, and voice.
To this, I added another "part": a boy with zero musical ability.
All the programmed bongos, the 2-second guitar lick that only plays in the left channel, the heavily processed chorus vocals-those all fall under that "boy" part.
I brought in a band member specifically to be in charge of everything except drums, bass, guitar, and voice.
That "+1" allowed me to justify these additional elements as part of the band itself.

Artist Profile

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