THE GRAFFITI MARKET Front Cover

Lyric

T-REX

DOGO

フライドチキンが道路に落ちたら

赤いポルシェが粉々にした

道路は別に、

道路は別に、

道路は別に

記憶力が良いわけではないから

自分を滑ってる奴を見るしかない

上目遣いで

コンクリートとフライドチキンの匂いは

おれに

恐竜の時代を確信させる

きっと倒れたビルが海を泳ぐようになると思うよ

それにおれは鯨っていう名前をつける

ガソリンスタンドで会ったやつは

まだ一本も歯が生えてなくて

かっこいいバイクで、

かっこいいバイクで、

かっこいいバイクで

おれに

恐竜の時代を確信させる

きっと倒れたビルが海を泳ぐようになると思うよ

それにおれは鯨っていう名前をつける

今日から別に、

今日から別に、

今日から別に

何かが変わるわけじゃない

フライドチキンが道路に落ちたら

赤いポルシェが粉々にした

道路は別に、

道路は別に、

道路は別に

記憶力が良いわけではないから

自分を犯してる奴を見るしかない

上目遣いで

コンクリートとフライドチキンの匂いは

おれに

恐竜の時代を確信させる

きっと倒れたビルが海を泳ぐようになると思うよ

それにおれは鯨っていう名前をつける

かっこいいバイクで、

かっこいいバイクで、

かっこいいバイクで

おれに

恐竜の時代を確信させる

きっと倒れたビルが海を泳ぐようになると思うよ

それにおれは鯨っていう名前をつける

泣いたり吐いたりしそうな気分のせいで

赤いポルシェを開けっぱなしにしたせいで

突然電話が

突然電話が

鳴りだしたせいで

おれは別に

記憶力が良いわけではないから

自分を犯してる奴を見るしかない

上目遣いで

コンクリートとフライドチキンの匂いは

おれに

恐竜の時代を確信させる

きっと倒れたビルが海を泳ぐようになると思うよ

それにおれは鯨っていう名前をつける

今日から別に、

今日から別に、

今日から別に

何かが変わるわけじゃない。

今日から別に、

今日から別に、

今日から別に

何かが変わるわけじゃない。

#$!

  • Lyricist

    Takemaro Yokoyama

  • Composer

    Takemaro Yokoyama

  • Mixing Engineer

    Takemaro Yokoyama, Shunsai, Dave Cooley

  • Guitar

    Taro

  • Vocals

    Takemaro Yokoyama

THE GRAFFITI MARKET Front Cover

Listen to T-REX by DOGO

Streaming / Download

This is the "debut" full-studio album by DOGO, a Tokyo-based rock band that gained attention for their performance on the Rookie A Go-Go stage at FUJI ROCK FESTIVAL 2025 and for their REIMEI SESSION audiovisual release.
In this work, frontman Takemaro Yokoyama's current songwriting ability blossoms into something that can be described as minimal outsider music or noise rock. Below are his self-written liner notes.

"The Graffiti Market" is a one-panel comic I invented:
A piece of graffiti someone scribbled on a wall is unearthed 100 years later and ends up being analyzed and traded for high prices in major city galleries.
The "graffiti" here refers to quick sketches or scrawls made simply to prove existence. They go unnoticed at the time they're made-but I believe they will inevitably gain meaning someday. That belief is what drove me to create these songs without overthinking.

Musical Concept:
1. Minimal Outsider
2. Music that can be performed by a band

1. Minimal Outsider
I followed my intuition on the day of recording. I wrote songs using just a notebook and pen, based on broad outlines and rough images of instrument arrangements. The specific phrases, lengths, and time signatures were decided on the spot, according to the mood of the day.
I'm tired of typical outsider art. So, I edited the recordings aggressively-cutting out parts I didn't like, looping the ones I did.
Multitrack recording was essential for this process (so I could loop phrases by instrument). That's why I didn't use any single-take sessions; instead, I recorded everything through layered takes at Studio NOAH.

2. Music Performable by a Band
Being a band is, in a way, a big constraint-and that's what made creating these songs so much fun.
The original core was four elements: drums, bass, guitar, and voice.
To this, I added another "part": a boy with zero musical ability.
All the programmed bongos, the 2-second guitar lick that only plays in the left channel, the heavily processed chorus vocals-those all fall under that "boy" part.
I brought in a band member specifically to be in charge of everything except drums, bass, guitar, and voice.
That "+1" allowed me to justify these additional elements as part of the band itself.

Artist Profile

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