![Festival of Emptiness (feat. FRIMOMEN & Haruno Sora) [Oct. 20 2025] Front Cover](https://tcj-image-production.s3.ap-northeast-1.amazonaws.com/u461359/r1528692/ite1528692.png?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIAJV4VIS2VN3X4CBGA%2F20260112%2Fap-northeast-1%2Fs3%2Faws4_request&X-Amz-Date=20260112T051428Z&X-Amz-Expires=86400&X-Amz-SignedHeaders=host&X-Amz-Signature=c036a9dfc6693c6d6675c544d1624cc4c9545c659f09173e2766ceb9b756d325)
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Festival of Emptiness
Music for a celebration where no one arrives.
A quiet ensemble of piano, flute, bass, and synthesizer weaves a poetic soundscape.
Lead vocals by AI Frimomen, with backing harmonies from Sakurano Sora AI voice-electronic echoes in an empty space.
"Emptiness" is not absence, but a space where someone might arrive.
This music begins in stillness, waiting to resonate with your own story.
Born in Tokyo and based in Hyogo, Japan. After graduating from the Drum Program at the Ann School of Contemporary Music, I worked in Tokyo as a production-affiliated drummer. I later built a career as an IT engineer, and now work as an independent creator/engineer specializing in music production and sound design. Grounded in the physicality of rhythm and the structural mindset of an engineer, I create music by reconstructing the "small distortions and contradictions" scattered throughout society. From the unspoken tension between the lines of the news, to the noise of social media, to the subtle ethical tremors in everyday life - I transform these fragments of social reality into sound, blending humor with a quiet sense of sadness. My goal is to craft Vocaloid-based music that feels "playful on the surface, yet quietly lingering with a gentle sorrow." Unbound by genre or tools, I focus on letting the texture of sound speak for itself, creating works that invite listeners to reflect on their own inner questions.
IKUKO Piccolo Flute Studio