

真っ赤に染まった空
歩め兵よ
銃と花束
いつかの声、
忘れてしまえば
飾り無き茜の髪の少女は
偽りの言葉を掲げて戦場へ
真っ赤に染まった空
歩め兵よ
銃と花束
いつかの声、
忘れてもまた出会える様な朝
緋が灯る
- Lyricist
Orenji-no-ONZO
- Composer
Orenji-no-ONZO
- Recording Engineer
Orenji-no-ONZO
- Mixing Engineer
Orenji-no-ONZO
- Mastering Engineer
Orenji-no-ONZO
- Guitar
Orenji-no-ONZO
- Bass Guitar
Orenji-no-ONZO
- Drums
Orenji-no-ONZO
- Vocals
Orenji-no-ONZO

Listen to Giulio (Take for florem) by Orenji-no-ONZO
Streaming / Download
- 1
MUS
Orenji-no-ONZO
- 2
Kolonie
Orenji-no-ONZO
- 3
Cotard syndrome
Orenji-no-ONZO
- 4
Monólogo
Orenji-no-ONZO
- 5
Litio
Orenji-no-ONZO
- 6
Inurn (feat. Taiga Masuko)
Orenji-no-ONZO
- 7
Echo : 52Hz
Orenji-no-ONZO
- ⚫︎
Giulio (Take for florem)
Orenji-no-ONZO
- 9
in unum florem
Orenji-no-ONZO
2026 release. This is the first album from Orange no Onzo, featuring a wide range of songs from their early works to the latest tracks.
The production of this album faced numerous hardships, including member departures and Vo.Gt. Masajima`s illness and recovery period. However, by overcoming these challenges and with the support of many people, the album was finally completed.
The second track, "Kolonie" originally written during the band`s second period, expresses the pain and screams of the heart, as well as aggressive feelings toward others. In contrast, the title track "in unum florem" which closes the album, portrays the process of those wounds healing, and conveys the hope that even pain can eventually converge beautifully like a single flower. It vividly captures Masajima`s inner emotional journey during the making of the album.
Music videos for these two tracks have been released, adding even greater depth to the expression of the songs.
Artist Profile
Orenji-no-ONZO
They weave contrasting sounds of "quiet" and "loud" expressing the profound depths of the heart. Formed in 2015 around Vo.Gt. Masajima, the band has overcome member departures and periods of recuperation, and is now restarting in 2026 as its "Third Period." With the release of their 1st Album In unum florem and the organization of their own events, they are energetically expanding the scope of their activities. In their fiery and chaotic live performances, Masajima`s chord work-imbued with a sense of floating and weightlessness-unfolds with sharp precision.