Esc (EP01) Front Cover

Lyric

Withdraw the Proceedings

Kei Hatori

ホーリーナイト

嘘つくフリして

いっそ家に帰りたい

魔法は解けてしまう

必ず

寒さが増したという

予報にないみぞれが降るのも

不自然じゃない

雪でも降ればいいのに

暖かい部屋で

布団を被って

死ぬまでいれたならいいのに

とか言って

幸せ

思わぬところで感じてしまうな

刺激性の高い戯れと思っている

未だに子供みたいに

抑えていた悲しみが溢れ出して

明日に預けたいのに

ここにきて大人みたいに

嘘も軽々しくつけるようになって

こうして掠れていくんだな

わざわざ起こされる奇跡

それを待つ人だかり

降り積もる季節

まともじゃない寒さのせい

間違いを犯すまで

気づかないフリをしようよ

空回りした脳も

12時には元に戻るさ

感じたいだろ

信じたいだろ

縛りたいだろ

  • Lyricist

    Kei Hatori

  • Composer

    Kei Hatori

Esc (EP01) Front Cover

Listen to Withdraw the Proceedings by Kei Hatori

Streaming / Download

  • 1

    Problems (Intro)

    Kei Hatori

  • 2

    The Moist Attack

    Kei Hatori

  • 3

    No Psychology

    Kei Hatori

  • 4

    Yukiteki Baitai (Interlude)

    Kei Hatori

  • 5

    Guilty Pleasure

    Kei Hatori

  • 6

    Make it Alright

    Kei Hatori

  • ⚫︎

    Withdraw the Proceedings

    Kei Hatori

  • 8

    R003

    Kei Hatori

  • 9

    Painful Convulsions

    Kei Hatori

  • 10

    Autolife

    Kei Hatori

The second solo EP by Kei Hatori, a songwriter and track maker born in 2002 with diverse musicality. This work was made about half a year after the last release. He self-taught songwriting and arrangement, and plays colorful pop music that incorporates sound programming and contemporary music. IDM "The Moist Attack" "R003" inspired by the post-rave sound of the 2000s. An advanced approach to his rhythm that can be seen in "No Psychology" that incorporates trip-hop techniques. And "Make it Alright" develops a dreamy pop sound that crosses glitchy hardcore hip-hop and noise music. "Withdraw the Proceedings" shows catchy songwriting like jazz in the 1950s, all of which show his greedy pursuit of composition and arrangement. In addition, the overly cynical poetry world of "Painful Convulsions" and "Autolife" is a surprisingly objective depiction of the distorted emotions of the younger generation. The self-produced activity, in which he handles engineering, video production, and artwork by himself, can be said to be the emergence of a rising star in the Japanese underground scene.

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