Merry Christmas (A Special Memory English version)

symphonic prog, progressive rock, German Baroque fugue, Bach-style counterpoint, start at bar 1 beat 1 directly with chorus, chorus is the default state from the first beat, no verse before chorus, dual guitar riffs A and B start simultaneously (no intro function), interlocking riffs, riff A (low-register heavy ostinato), riff B (mid-high syncopated counter-riff), both riffs continuous and inseparable, no section with single riff only, vocals enter immediately in full chorus form, anthemic vocal delivery, no soft or gradual entry, tightly staggered vocal entries (1-2 bars), aggressive stretto within first 2 bars, imitative counterpoint, overlapping vocal lines, independent vocal parts, massive polyphonic female choir ONLY, soprano and alto choir, bright female timbre, voices chasing each other, vocals rhythmically locked to riffs, organ doubles and counters riffs from first beat, cathedral pipe organ prominent, organ and voices in canon, contrapunta