Frieren: Beyond HipHop's Rapのジャケット写真

Frieren: Beyond HipHop's Rap

リリース予定日

2025-08-20

リリース予定日以降、こちらに配信ストアへのリンクが表示されます。

トラックリスト

※ 試聴は反映までに時間がかかる場合があります。
※ 著作権管理事業者等が管理する楽曲は試聴できません。

Ten years ago, when I saw music fans and hip-hop critics looking down on Vocaloid rap as not real rap, I made up my mind to create a fake rap that would make those people furious.

Two years later, while I was listening to the song Bad Guy by Billie Eilish, I suddenly had a thought. What if Haruo Tikada produced Billie Eilish and made a rap song? That moment became the true starting point of my fake rap project. I have always liked the music Haruo Tikada created for Kyoko Koizumi. I wanted to bring that kind of sound back to life by replacing Koizumi with Billie Eilish and turning it into rap.

After that, I also considered inviting a real rapper as a guest. However, that would go against my decision to never follow the rules of what is considered real rap, so I gave up on the idea.

About a year and a half ago, I saw a Korean fan of Xinlisupreme and came up with the idea of creating a rap performed by an anime superhero as a thank you gift. That was the beginning of Anime Hop.

I took inspiration from the anime audio dramas I listened to as a child and created a rap using short spoken phrases. Since anime is all about exaggeration, I brought that idea into rap. Just like a thumbs-up is understood around the world as a sign that means Good, I added the phrase Yo YoYo Hey men between spoken lines as a symbolic vocal gesture representing rap. This way, the spoken words that followed could be identified as rap. In other words, I turned rap into anime. This is the style I call Anime Hop. It does not follow the rules of real rap. It exists only to be free.

Perhaps in that hollow voice, which offers no emotional reward, we human beings may be able to seek the eternal love we have always longed for. It may exist beyond the endless journey we repeat until death, in the place where we are finally set free. Please enjoy this void rap that lies beyond the end of hip-hop, stripped of any reward or emotional impact.

アーティスト情報

  • Xinlisupreme

    "The Xinli Incident" by Andrew Weatherall (Liner Note of Tomorrow Never Comes) The detective in the passenger seat, with a single self-assured action, flashed his warrant card and asked directions. "Twenty-third floor sir... Out of the lift and turn left - you can't miss it... Terrible mess and not very pretty at all, I can tell you..." With that the barrier lifted and the car headed toward the executive parking area of I.D.M. Industries. The lift made a silent journey to the 23rd floor, and on exiting and turning left, the two detectives immediately saw the reasons for their being there. The scene of the crime lay trough an open doorway emitting occasional puffs of smoke and wafts of shimmering vapour. Reaching into the pockets of their elegant yet provocatively conservative black coats the two men pulled out state-of-the-art gas masks, and donning them walked across the corridor. Standing just inside the room, on the only patch of floor not covered in broken machinery or bubbling liquid, Her Majesty's finest surveyed the scene. What was once a hyper-sterile working environment had been turned into a mass of shredded wires, smashed samplers, smouldering laptops and shattered zip-discs. The laboratory once used to manufacture electronic music for earnest sixth-formers around the world was now a digital funeral pyre. "I've not see anything like this since the Prog-Rock studio trashings of '76", said detective number one, the words turning metallic as they made their way trough the gas mask's filter. "Let's leave it to forensics", replied number two as they both backed slowly out of the room, pulling the door shut behind them. As it clicked shut had anybody been left inside they would have seen the back of the door reveal, in still dripping painted letters, the words... 'XINLISUPREME' >> by Andrew Weatherall

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