

Until the last light
I will remember you
The sky was folding into blue
Above the water, cold and still
You held my hand like morning could
Wait a little longer if it will
We did not know what time would take
We only knew what we could give
A quiet promise in the dark
A little light that learned to live
If the night comes down
If the world lets go
There are things the heart keeps holding
More than words can show
Until the last light leaves the sky
Until the tide forgets the shore
I will carry what you gave me
Like a song behind the door
If everything we know must fade
If all we have is passing through
Let the final color stay
Long enough to lead me back to you
The wind was moving through the glass
Like distant voices from the sea
I saw the future in your eyes
And all the roads we would not reach
I used to fear the empty space
The part where every story ends
But love can live beyond the place
Where two hands finally lose their grip
If the stars go out
If the road turns cold
There are names the heart remembers
Even when we let them go
Until the last light leaves the sky
Until the tide forgets the shore
I will carry what you gave me
Like a song behind the door
If everything we know must fade
If all we have is passing through
Let the final color stay
Long enough to lead me back to you
I won’t call it goodbye
If a part of you remains
In every quiet sunrise
In every after-rain
I won’t ask the dark
To give back what it took
I will only keep the light
The way you taught me to look
Until the last light leaves the sky
Until the tide forgets the shore
I will carry what you gave me
Like a song behind the door
If everything we know must fade
If all we have is passing through
Let the final color stay
Long enough to lead me back to you
Until the last light
I will remember you
Not as something gone
But as something true
- Lyricist
GREYLINE
- Composer
GREYLINE
- Producer
GREYLINE
- Vocals
GREYLINE

Listen to Until the Last Light by GREYLINE
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Artist Profile
GREYLINE
GRΛYLINE is a three-piece male band project that presents music without faces, focusing only on sound and state. Rather than fixed personas, their work is defined by shifting emotional distance. The voice changes not as a character choice, but as a reflection of where the music is positioned ? inward, neutral, or outward. From the introspective tones of Before Dawn, to the everyday affirmation of Clear Days, and the outward momentum of MOVE FIRST, each release captures a different phase of motion. GRΛYLINE exists in the space between thinking, stopping, and moving. Always within the same timeline. Always in transition. The figures remain silhouettes. The music moves forward.
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