Museum of Transparent Signs

When listening to Yasuhiro Soda's work, the first thing that strikes you isn't the scarcity of notes, but the process by which those notes are selected.

Phrases played only once, sounds created only once.

The works, constructed from this continuous sequence, possess not the uniformity of editing, but the time inherent in the act of performance itself.

The daily releases are also a long-term project, gradually accumulating that time.