Red Flag Front Cover

Lyric

Cunty Gyal

The Vounds

3,2,1, go!

'Someday, I’ll make it to the money'

I told myself

Dreamed through the dull Central Line

It’s bloody hot

Steaming, yet I look alright

Eyes on gold, milk and honey

I’ll never stop

Pressures on - rise to the climb

I’ve already made up my mind

I’m taking it up, taking it up - for the weaker

Same train, same heat, same fight, get right

I’m taking it up, taking it up - for the speaker

Naughty, gnarly

I’m your fav cunty gyal

Cunty gyal

Cunty gyal

Oh

'Someday, I’ll make it to the light'

Dreamed through the dull Central Line

It’s bloody hot

Steaming, yet I look alright

Eyes on gold, milk and honey, uh

Pressures on - rise to the climb

I’ve already made up my mind

I’m taking it up, taking it up - for the weaker

Same train, same heat, same fight, get right

I’m taking it up, taking it up - for the speaker

Naughty, gnarly

I’m your fav cunty gyal

Cunty gyal

Cunty gyal

Oh

Oh oh, oh oh, oh oh, hey yeah

Someday, I’ll make it to the money

Life, tastes like honey

Oh, oh oh oh, oh oh oh

3,2,1, go!

Ah, ah, oh

Cunty gyal

Wow oh oh, wow oh oh, hey yeah, woo

Ah!

  • Lyricist

    Ayaka Takei

  • Composer

    The Vounds

  • Mixing Engineer

    Toshihiro Watanabe

  • Mastering Engineer

    Kira Takeo

  • Guitar

    Haruka Kikuchi

  • Bass Guitar

    Ryo'Lefty'Miyata

  • Drums

    Tetsuyuki Yamada

  • Vocals

    Ayaka Takei

Red Flag Front Cover

Listen to Cunty Gyal by The Vounds

Streaming / Download

  • 1

    Red Flag

    The Vounds

  • 2

    Breathe

    The Vounds

  • ⚫︎

    Cunty Gyal

    The Vounds

    E
  • 4

    Soul Sister

    The Vounds

If you've ever found yourself staring at a glowing phone screen at 3 AM, treating a delayed text message like a prize and wondering when you accidentally signed up to be your partner's life coach, this track is your new soundtrack.

On their blistering new release, The Vounds delivers a sharp, neon-tinted wake-up call that cuts straight through the exhaustion of modern situationships.

Driven by a filthy, distorted bass riff that feels like a punch to the gut, an echoing, introspective guitar arpeggio, and heavy-hitting, stadium-sized drums that anchor the track's fury, it quickly explodes into a sick, jagged guitar hook. Built around the instantly catchy, rhythmic battle cry-"I'm not here to raise you, I'm here to date you"-the track functions as both an arena filler and a brutal boundary-setting exercise.

Artist Profile

  • The Vounds

    The Vounds are a London-formed, Tokyo-based four-piece alternative band featuring Aya (vocals), Ryo (bass), Haruka (guitar), and Tetsu (drums). Rooted in alternative rock, the band draws on its members' diverse musical backgrounds to forge a sound where post-punk attitude, indie sleaze aesthetics, alt-pop hooks, and hip-hop-driven rhythms collide. By blending raw guitars with dancefloor momentum and sharp vocal phrasing, The Vounds sit squarely at the intersection of alternative rock and club culture, equally at home in a sweaty basement venue or on a massive festival stage. This boundary-crossing approach drives bold, fluid songwriting that moves effortlessly between genres while maintaining a razor-sharp, cohesive identity. At the center of their sonic landscape is Aya's commanding and versatile vocal presence, which shifts seamlessly from husky, breath-laced intimacy to soaring high registers and rapid-fire delivery. Her performance is anchored by a tight, high-impact rhythm section and dynamic, effects-textured guitar work. That raw studio chemistry translates powerfully on stage. Defined by explosive builds, controlled tension, and an undeniable command over the crowd, their live sets are urgent, deeply physical, and impossible to ignore. Formed in London, Aya's second home, and shaped by the members' lives in Tokyo, the band beautifully embodies the duality of both metropolises. Their sound channels an indie sleaze sensibility infused with London's underground grit and Tokyo's neon precision, creating a cross-cultural identity that is vibrant, current, and primed for the global stage.

    Artist page


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